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Easy Roman is a Devanagari-based Sanskrit reading aid. IAST preserves scholarly distinctions. Where no Roman text was supplied, IAST is derived automatically from the Devanagari; this is not a certified pronunciation guide. Vernacular songs retain their supplied word forms and spoken endings. Easy Roman simplifies unambiguous diacritics; their scholarly view retains the supplied Roman form rather than inventing Sanskrit pronunciation. Selected bija spellings are kept where unambiguous.

Kavach

Hanuman Kavacham — Nārada Purāṇa, Chapter 78

A Purāṇic prayer calling on Hanuman across directions, body, daily life and Rama devotion.

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Text, Meaning & Explanation

1

कार्तवीर्यस्य कवचं कथितं ते मुनीश्वर । मोहविध्वंसनं जैत्रं मारुतेः कवचं शृणु ॥

Roman Transliteration

kaartaveeryasya kavacham kathitam te muneeshvara | mohavidhvamsanam jaitram maaruteh kavacham shrinu ||kārtavīryasya kavacaṃ kathitaṃ te munīśvara | mohavidhvaṃsanaṃ jaitraṃ māruteḥ kavacaṃ śṛṇu ||

Meaning

Sanatkumāra says that after describing Kārtavīrya's armour, he will relate Maruti's protective hymn, praised as victorious and dispelling delusion.

Explanation

The framing connects two successive Narada Purana chapters and identifies the teacher as Sanatkumara, not a modern poet. The word kavacha signifies a liturgical shield of remembrance.

2

यस्य सन्धारणात्सद्यः सर्वे नश्यन्त्युपद्रवाः । भूतप्रेतारिजं दुःखं नाशमेति न संशयः ॥

Roman Transliteration

yasya sandhaaranaatsadyah sarve nashyantyupadravaah | bhootapretaarijam duhkham naashameti na samshayah ||yasya sandhāraṇātsadyaḥ sarve naśyantyupadravāḥ | bhūtapretārijaṃ duḥkhaṃ nāśameti na saṃśayaḥ ||

Meaning

The text praises the kavacha as removing adversities, including harms attributed in its traditional worldview to spirits and foes.

Explanation

These are the hymn's conventional protection claims, not verified guarantees about illness, spirits, or physical danger. Their rhetorical strength reflects faith.

3

एकदाहं गतो द्रष्टुं रामं रमयतां वरम् । आनन्दवनिकासंस्थं ध्यायन्तं स्वात्मनः पदम् ॥

Roman Transliteration

ekadaaham gato drashtum raamam ramayataam varam | aanandavanikaasamstham dhyaayantam svaatmanah padam ||ekadāhaṃ gato draṣṭuṃ rāmaṃ ramayatāṃ varam | ānandavanikāsaṃsthaṃ dhyāyantaṃ svātmanaḥ padam ||

Meaning

Sanatkumara remembers going to see Rama, who was seated in the blissful grove and meditating on the Self.

Explanation

The account presents Rama as both an epic hero and a figure absorbed in spiritual contemplation, preparing the transmission narrative.

4

तत्र रामं रमानाथं पूजितं त्रिदशेश्वरैः । नमस्कृत्य तदादिष्टमासनं स्थितवान् पुरः ॥

Roman Transliteration

tatra raamam ramaanaatham poojitam tridasheshvaraih | namaskritya tadaadishtamaasanam sthitavaan purah ||tatra rāmaṃ ramānāthaṃ pūjitaṃ tridaśeśvaraiḥ | namaskṛtya tadādiṣṭamāsanaṃ sthitavān puraḥ ||

Meaning

He reverently greeted Rama, honoured among the gods, and took the seat Rama offered.

Explanation

The scene models hospitality and respect between teacher and disciple; it is the story frame rather than part of the bodily protection list.

5

तत्र सर्वं मया वृत्तं रावणस्य वधान्तकम् । पृष्टं प्रोवाच राजेन्द्रः श्रीरामः स्वयमादरात् ॥

Roman Transliteration

tatra sarvam mayaa vrittam raavanasya vadhaantakam | prishtam provaacha raajendrah shreeraamah svayamaadaraat ||tatra sarvaṃ mayā vṛttaṃ rāvaṇasya vadhāntakam | pṛṣṭaṃ provāca rājendraḥ śrīrāmaḥ svayamādarāt ||

Meaning

Rama responds respectfully when questioned about the events leading to Ravana's defeat.

Explanation

The kavacha is embedded within a Ramayana recollection, not a standalone anonymous spell from the start.

6

ततः कथान्ते भगवान्मारुतेः कवचं ददौ । मह्यं तत्ते प्रवक्ष्यामि न प्रकाश्यं हि कुत्रचित् ॥

Roman Transliteration

tatah kathaante bhagavaanmaaruteh kavacham dadau | mahyam tatte pravakshyaami na prakaashyam hi kutrachit ||tataḥ kathānte bhagavānmāruteḥ kavacaṃ dadau | mahyaṃ tatte pravakṣyāmi na prakāśyaṃ hi kutracit ||

Meaning

When their story concludes, Rama grants the kavacha of Maruti, which the speaker promises to transmit discreetly.

Explanation

The language of secrecy marks the text's claimed sacred value; it does not authorize this website to teach initiatory or restricted practices.

7

भविष्यदेतन्निर्द्दिष्टं बालभावेन नारद । श्रीरामेणाञ्जनासूनोर्भुक्तिमुक्तिप्रदायकम् ॥

Roman Transliteration

bhavishyadetannirddishtam baalabhaavena naarada | shreeraamenaanjanaasoonorbhuktimuktipradaayakam ||bhaviṣyadetannirddiṣṭaṃ bālabhāvena nārada | śrīrāmeṇāñjanāsūnorbhuktimuktipradāyakam ||

Meaning

The text presents Rama's gift concerning Anjani's son as conferring both worldly fulfilment and liberation.

Explanation

The precise grammar of this verse is disputed across digital witnesses; these fruits must be read as a traditional attribution.

8

हनुमान् पूर्वतः पातु दक्षिणे पवनात्मजः । पातु प्रतीच्यामक्षघ्नः सौम्ये सागरतारकः ॥

Roman Transliteration

Hanuman poorvatah paatu dakshine pavanaatmajah | paatu prateechyaamakshaghnah saumye saagarataarakah ||hanumān pūrvataḥ pātu dakṣiṇe pavanātmajaḥ | pātu pratīcyāmakṣaghnaḥ saumye sāgaratārakaḥ ||

Meaning

May Hanuman guard the east, the Wind's son the south, the slayer of Aksha the west, and the ocean-crosser the north.

Explanation

Four directions form a symbolic compass of remembrance. Akṣaghna recalls Hanuman's slaying of Akṣa in the Ramayana.

9

ऊर्ध्वं पातु कपिश्रेष्ठः केसरिप्रियनन्दनः । अधस्ताद्विष्णुभक्तस्तु पातु मध्ये च पावनिः ॥

Roman Transliteration

oordhvam paatu kapishreshthah kesaripriyanandanah | adhastaadvishnubhaktastu paatu madhye cha paavanih ||ūrdhvaṃ pātu kapiśreṣṭhaḥ kesaripriyanandanaḥ | adhastādviṣṇubhaktastu pātu madhye ca pāvaniḥ ||

Meaning

May the chief of monkeys protect above, Kesari's beloved son and Vishnu's devotee below, and the wind-born one at the centre.

Explanation

The hymn extends its compass vertically; names of kinship and devotion accompany heroic ones.

लङ्काविदाहकः पातु सर्वापद्भ्यो निरन्तरम् । सुग्रीवसचिवः पातु मस्तकं वायुनन्दनः ॥

Roman Transliteration

lankaavidaahakah paatu sarvaapadbhyo nirantaram | sugreevasachivah paatu mastakam vaayunandanah ||laṅkāvidāhakaḥ pātu sarvāpadbhyo nirantaram | sugrīvasacivaḥ pātu mastakaṃ vāyunandanaḥ ||

Meaning

May the burner of Lanka guard against danger and Sugriva's counsellor, Vayu's son, protect the head.

Explanation

Lanka's burning is recalled as a display of courage; the same Hanuman is valued for service and wise counsel.

11

भालं पातु महावीरो भ्रुवोर्मध्ये निरन्तरम् । नेत्रे छायापहारी च पातु नः प्लवगेश्वरः ॥

Roman Transliteration

bhaalam paatu mahaaveero bhruvormadhye nirantaram | netre chhaayaapahaaree cha paatu nah plavageshvarah ||bhālaṃ pātu mahāvīro bhruvormadhye nirantaram | netre chāyāpahārī ca pātu naḥ plavageśvaraḥ ||

Meaning

May the great hero guard the forehead and brow, while the lord of leaping creatures protects the eyes.

Explanation

The body's sensory organs become objects of prayer, a pattern continued in the next verses. A rare epithet in the first half needs lexical review.

12

कपोलौ कर्णमूले च पातु श्रीरामकिङ्करः । नासाग्रमञ्जनासूनुः पातु वक्त्रं हरीश्वरः ॥

Roman Transliteration

kapolau karnamoole cha paatu shreeraamakinkarah | naasaagramanjanaasoonuh paatu vaktram hareeshvarah ||kapolau karṇamūle ca pātu śrīrāmakiṅkaraḥ | nāsāgramañjanāsūnuḥ pātu vaktraṃ harīśvaraḥ ||

Meaning

May Rama's servant protect cheeks and ears; Anjani's son and the lord of monkeys guard nose and face.

Explanation

Kinship and service to Rama are central identities, not merely descriptions of combat prowess.

13

पातु कण्ठे तु दैत्यारिः स्कन्धौ पातु सुरारिजित् । भुजौ पातु महातेजाः करौ च चरणायुधः ॥

Roman Transliteration

paatu kanthe tu daityaarih skandhau paatu suraarijit | bhujau paatu mahaatejaah karau cha charanaayudhah ||pātu kaṇṭhe tu daityāriḥ skandhau pātu surārijit | bhujau pātu mahātejāḥ karau ca caraṇāyudhaḥ ||

Meaning

May the enemy of demons guard the throat, the conqueror of the gods' foes the shoulders, and the resplendent hero the arms and hands.

Explanation

The weapons-related title is an epic poetic image; no act of violence or weapon use is prescribed.

14

नखान्नखायुधः पातु कुक्षौ पातु कपीश्वरः । वक्षो मुद्रापहारी च पातु पार्श्वे भुजायुधः ॥

Roman Transliteration

nakhaannakhaayudhah paatu kukshau paatu kapeeshvarah | vaksho mudraapahaaree cha paatu paarshve bhujaayudhah ||nakhānnakhāyudhaḥ pātu kukṣau pātu kapīśvaraḥ | vakṣo mudrāpahārī ca pātu pārśve bhujāyudhaḥ ||

Meaning

May the nail-armed hero guard nails, the lord of monkeys the abdomen, and the bearer of the signet guard chest and sides.

Explanation

The signet evokes Rama's ring carried to Sita. The precise compound meaning remains subject to source collation.

15

लङ्कानिभर्जनः पातु पृष्ठदेशे निरन्तरम् । नाभिं श्रीरामभक्तस्तु कटिं पात्वनिलात्मजः ॥

Roman Transliteration

lankaanibharjanah paatu prishthadeshe nirantaram | naabhim shreeraamabhaktastu katim paatvanilaatmajah ||laṅkānibharjanaḥ pātu pṛṣṭhadeśe nirantaram | nābhiṃ śrīrāmabhaktastu kaṭiṃ pātvanilātmajaḥ ||

Meaning

May the subduer of Lanka guard the back, Rama's devotee the navel, and the Wind's son the waist.

Explanation

A difficult epithet varies between digital copies; the body's central portions continue to be mapped onto devotional names.

16

गुह्यं पातु महाप्राज्ञः सक्थिनी अतिथिप्रियः । ऊरू च जानुनी पातु लङ्काप्रासादभञ्जनः ॥

Roman Transliteration

guhyam paatu mahaapraajnah sakthinee atithipriyah | ooroo cha jaanunee paatu lankaapraasaadabhanjanah ||guhyaṃ pātu mahāprājñaḥ sakthinī atithipriyaḥ | ūrū ca jānunī pātu laṅkāprāsādabhañjanaḥ ||

Meaning

May the wise hero guard the private parts and thighs, and Lanka's palace-breaker protect the knees.

Explanation

The anatomical language is ordinary to a kavacha: the whole body, not merely noble-looking parts, is placed under care.

17

जङ्घे पातु कपिश्रेष्ठो गुल्फौ पातु महाबलः । अचलोद्धारकः पातु पादौ भास्करसन्निभः ॥

Roman Transliteration

janghe paatu kapishreshtho gulphau paatu mahaabalah | achaloddhaarakah paatu paadau bhaaskarasannibhah ||jaṅghe pātu kapiśreṣṭho gulphau pātu mahābalaḥ | acaloddhārakaḥ pātu pādau bhāskarasannibhaḥ ||

Meaning

May the chief monkey protect the shins, the strong one the ankles, and the mountain-lifter the feet.

Explanation

The mountain-lifting motif evokes the Sanjivani episode, expressing urgent service to the wounded Lakshmana.

18

अङ्गानि पातु सत्त्वाढ्यः पातु पादाङ्गुलीः सदा । मुखाङ्गानि महाशूरः पातु रोमाणि चात्मवान् ॥

Roman Transliteration

angaani paatu sattvaadhyah paatu paadaanguleeh sadaa | mukhaangaani mahaashoorah paatu romaani chaatmavaan ||aṅgāni pātu sattvāḍhyaḥ pātu pādāṅgulīḥ sadā | mukhāṅgāni mahāśūraḥ pātu romāṇi cātmavān ||

Meaning

May the valiant, self-possessed Hanuman guard limbs, toes, facial members and even the body's hairs.

Explanation

The catalogue rounds out the entire body, lending the kavacha its metaphorical completeness.

19

दिवारात्रौ त्रिलोकेषु सदागतिसुतोऽवतु । स्थितं व्रजन्तमासीनं पिबन्तं जक्षतं कपिः ॥

Roman Transliteration

divaaraatrau trilokeshu sadaagatisuto’vatu | sthitam vrajantamaaseenam pibantam jakshatam kapih ||divārātrau trilokeṣu sadāgatisuto’vatu | sthitaṃ vrajantamāsīnaṃ pibantaṃ jakṣataṃ kapiḥ ||

Meaning

May the Wind's son protect throughout day and night, while standing, walking, sitting, drinking and eating.

Explanation

Devotion is extended from exceptional dangers into ordinary daily activities; one epithet differs across digital witnesses.

लोकोत्तरगुणः श्रीमान् पातु त्र्यम्बकसम्भवः । प्रमत्तमप्रमत्तं वा शयानं गहनेऽम्बुनि ॥

Roman Transliteration

lokottaragunah shreemaan paatu tryambakasambhavah | pramattamapramattam vaa shayaanam gahane’mbuni ||lokottaraguṇaḥ śrīmān pātu tryambakasambhavaḥ | pramattamapramattaṃ vā śayānaṃ gahane’mbuni ||

Meaning

May the extraordinary, blessed Hanuman, associated here with Tryambaka, protect the heedful and heedless, even during sleep or in deep water.

Explanation

Tryambakasambhava reflects a Shaiva association within a Ramabhakti hymn. It should not be presented as the only theology of Hanuman.

21

स्थलेऽन्तरिक्षे ह्यग्नौ वा पर्वते सागरे द्रुमे । सङ्ग्रामे सङ्कटे घोरे विराड्रूपधरोऽवतु ॥

Roman Transliteration

sthale’ntarikshe hyagnau vaa parvate saagare drume | sangraame sankate ghore viraadroopadharo’vatu ||sthale’ntarikṣe hyagnau vā parvate sāgare drume | saṅgrāme saṅkaṭe ghore virāḍrūpadharo’vatu ||

Meaning

May the cosmic-form bearer guard in wilderness, sky, fire, mountains, sea, trees, battle and grave distress.

Explanation

The long list expresses a wish for refuge in every setting, not literal immunity from fire, falls or violence.

22

डाकिनीशाकिनीमारीकालरात्रिमरीचिकाः । शयानं मां विभुः पातु पिशाचोरगराक्षसीः ॥

Roman Transliteration

daakineeshaakineemaareekaalaraatrimareechikaah | shayaanam maam vibhuh paatu pishaachoragaraakshaseeh ||ḍākinīśākinīmārīkālarātrimarīcikāḥ | śayānaṃ māṃ vibhuḥ pātu piśācoragarākṣasīḥ ||

Meaning

May the all-pervading Lord protect the sleeping devotee from frightening beings named in the inherited folklore.

Explanation

The frightening beings belong to premodern religious imagery. Readers need not accept them as empirically demonstrable threats.

23

दिव्यदेहधरो धीमान्सर्वसत्त्वभयङ्करः । साधकेन्द्रावनः शश्वत्पातु सर्वत एव माम् ॥

Roman Transliteration

divyadehadharo dheemaansarvasattvabhayankarah | saadhakendraavanah shashvatpaatu sarvata eva maam ||divyadehadharo dhīmānsarvasattvabhayaṅkaraḥ | sādhakendrāvanaḥ śaśvatpātu sarvata eva mām ||

Meaning

May the wise, radiant protector of devotees shelter the speaker from every side.

Explanation

The request returns from named threats to a universal invocation. The compound for guardian of practitioners invites grammatical review.

24

यद्रूपं भीषणं दृष्ट्वा पलायन्ते भयानकाः । स सर्वरूपः सर्वज्ञः सृष्टिस्थितिकरोऽवतु ॥

Roman Transliteration

yadroopam bheeshanam drishtvaa palaayante bhayaanakaah | sa sarvaroopah sarvajnah srishtisthitikaro’vatu ||yadrūpaṃ bhīṣaṇaṃ dṛṣṭvā palāyante bhayānakāḥ | sa sarvarūpaḥ sarvajñaḥ sṛṣṭisthitikaro’vatu ||

Meaning

May Hanuman, whose awe-inspiring form drives frightening forces away, protect as the all-knowing sustainer of creation.

Explanation

The verse enlarges Hanuman from Ramayana companion to cosmic protector, a theological assertion of this hymn.

25

स्वयं ब्रह्मा स्वयं विष्णुः साक्षाद्देवो महेश्वरः । सूर्यमण्डलगः श्रीदः पातु कालत्रयेऽपि माम् ॥

Roman Transliteration

svayam Brahma svayam vishnuh saakshaaddevo maheshvarah | sooryamandalagah shreedah paatu kaalatraye’pi maam ||svayaṃ brahmā svayaṃ viṣṇuḥ sākṣāddevo maheśvaraḥ | sūryamaṇḍalagaḥ śrīdaḥ pātu kālatraye’pi mām ||

Meaning

May the divine power described as Brahma, Vishnu, Maheshvara and dwelling in the sun protect through all three times.

Explanation

Such identifications reflect inclusive devotional theology and do not erase distinctions maintained by particular sects.

26

यस्य शब्दमुपाकर्ण्य दैत्यदानवराक्षसाः । देवा मनुष्यास्तिर्यञ्चः स्थावरा जङ्गमास्तथा ॥

Roman Transliteration

yasya shabdamupaakarnya daityadaanavaraakshasaah | devaa manushyaastiryanchah sthaavaraa jangamaastathaa ||yasya śabdamupākarṇya daityadānavarākṣasāḥ | devā manuṣyāstiryañcaḥ sthāvarā jaṅgamāstathā ||

Meaning

The verse imagines demons, gods, people, animals, stationary and moving beings hearing Hanuman's mighty voice.

Explanation

Its sentence continues into verse 27, so it should be explained together with the next verse rather than as an isolated claim.

27

सभया भयनिर्मुक्ता भवन्ति स्वकृतानुगाः । यस्यानेककथाः पुण्याः श्रूयन्ते प्रतिकल्पके ॥

Roman Transliteration

sabhayaa bhayanirmuktaa bhavanti svakritaanugaah | yasyaanekakathaah punyaah shrooyante pratikalpake ||sabhayā bhayanirmuktā bhavanti svakṛtānugāḥ | yasyānekakathāḥ puṇyāḥ śrūyante pratikalpake ||

Meaning

The beings just named are portrayed as stirred by fear and released from fear, while stories of Hanuman are recounted across cosmic cycles.

Explanation

The grammatical construction is compact and variant-prone; it may juxtapose awe before the divine and relief in divine protection.

28

सोऽवतात्साधकश्रेष्ठं सदा रामपरायणः । वैधात्रधातृप्रभृति यत्किञ्चिद्दृश्यतेऽत्यलम् ॥

Roman Transliteration

so’vataatsaadhakashreshtham sadaa raamaparaayanah | vaidhaatradhaatriprabhriti yatkinchiddrishyate’tyalam ||so’vatātsādhakaśreṣṭhaṃ sadā rāmaparāyaṇaḥ | vaidhātradhātṛprabhṛti yatkiñciddṛśyate’tyalam ||

Meaning

May the Rama-devoted guardian protect the foremost aspirant; the text begins to describe the reach of divine presence.

Explanation

The second line runs into the metaphysical language of verse 29 and requires cautious translation.

29

विद्धि व्याप्तं यथा कीशरूपेणानञ्जनेन तत् । यो विभुः सोऽहमेषोऽहं स्वीयः स्वयमणुर्बृहत् ॥

Roman Transliteration

viddhi vyaaptam yathaa keesharoopenaananjanena tat | yo vibhuh so’hamesho’ham sveeyah svayamanurbrihat ||viddhi vyāptaṃ yathā kīśarūpeṇānañjanena tat | yo vibhuḥ so’hameṣo’haṃ svīyaḥ svayamaṇurbṛhat ||

Meaning

The hymn asks the listener to perceive the visible world as pervaded by the divine, evoked through the monkey-hero, at once subtle and immense.

Explanation

This verse is textually and syntactically difficult; identity language here is theological poetry, not a settled doctrinal statement.

ऋग्यजुःसामरूपश्च प्रणवस्त्रिवृदध्वरः । तस्मै स्वस्मै च सर्वस्मै नतोऽस्म्यात्मसमाधिना ॥

Roman Transliteration

rigyajuhsaamaroopashcha pranavastrivridadhvarah | tasmai svasmai cha sarvasmai nato’smyaatmasamaadhinaa ||ṛgyajuḥsāmarūpaśca praṇavastrivṛdadhvaraḥ | tasmai svasmai ca sarvasmai nato’smyātmasamādhinā ||

Meaning

Hanuman is praised in imagery linked to Ṛg, Yajus, Sāman, Oṃ and sacrificial worship, and the speaker bows in inner composure.

Explanation

Vedic vocabulary dignifies the devotee's vision of Hanuman; it is not a claim that this kavacha itself is a Vedic hymn.

31

अनेकानन्तब्रह्माण्डधृते ब्रह्मस्वरूपिणे । समीरणात्मने तस्मै नतोऽस्म्यात्मस्वरूपिणे ॥

Roman Transliteration

anekaanantabrahmaandadhrite brahmasvaroopine | sameeranaatmane tasmai nato’smyaatmasvaroopine ||anekānantabrahmāṇḍadhṛte brahmasvarūpiṇe | samīraṇātmane tasmai nato’smyātmasvarūpiṇe ||

Meaning

The speaker bows to the wind-born divine who is imagined sustaining countless universes and sharing the nature of Brahman.

Explanation

The cosmic image shifts the poem into metaphysical praise, beyond its earlier list of bodily protections.

32

नमो हनुमते तस्मै नमो मारुतसूनवे । नमः श्रीरामभक्ताय श्यामाय महते नमः ॥

Roman Transliteration

namo hanumate tasmai namo maarutasoonave | namah shreeraamabhaktaaya shyaamaaya mahate namah ||namo hanumate tasmai namo mārutasūnave | namaḥ śrīrāmabhaktāya śyāmāya mahate namaḥ ||

Meaning

Reverence is offered to Hanuman, son of Marut, a great devotee of Rama.

Explanation

The refrain of salutations begins a catalogue of remembered heroic and devotional deeds.

33

नमो वानरवीराय सुग्रीवसख्यकारिणे । लङ्काविदहनायाथ महासागरतारिणे ॥

Roman Transliteration

namo vaanaraveeraaya sugreevasakhyakaarine | lankaavidahanaayaatha mahaasaagarataarine ||namo vānaravīrāya sugrīvasakhyakāriṇe | laṅkāvidahanāyātha mahāsāgaratāriṇe ||

Meaning

Salutations to the monkey hero, Sugriva's ally, who burned Lanka and crossed the vast sea.

Explanation

Both deeds belong to Hanuman's mission to find Sita, and should be understood within that Ramayana narrative.

34

सीताशोकविनाशाय राममुद्राधराय च । रावणान्तनिदानाय नमः सर्वोत्तरात्मने ॥

Roman Transliteration

seetaashokavinaashaaya raamamudraadharaaya cha | raavanaantanidaanaaya namah sarvottaraatmane ||sītāśokavināśāya rāmamudrādharāya ca | rāvaṇāntanidānāya namaḥ sarvottarātmane ||

Meaning

He is praised for ending Sita's sorrow, bearing Rama's signet and contributing to Ravana's downfall.

Explanation

The seal is a token of trust: Hanuman's mission conveys recognition and reassurance rather than personal fame.

35

मेघनादमखध्वंसकारणाय नमो नमः । अशोकवनविध्वंसकारिणे जयदायिने ॥

Roman Transliteration

meghanaadamakhadhvamsakaaranaaya namo namah | ashokavanavidhvamsakaarine jayadaayine ||meghanādamakhadhvaṃsakāraṇāya namo namaḥ | aśokavanavidhvaṃsakāriṇe jayadāyine ||

Meaning

The hymn recalls the destruction of Meghnada's rite and the breaking of the Ashoka grove.

Explanation

This is narrative heroism in the epic conflict, not a recommendation to disrupt real religious worship.

36

वायुपुत्राय वीराय आकाशोदरगामिने । वनपालशिरश्छेत्रे लङ्काप्रासादभञ्जिने ॥

Roman Transliteration

vaayuputraaya veeraaya aakaashodaragaamine | vanapaalashirashchhetre lankaapraasaadabhanjine ||vāyuputrāya vīrāya ākāśodaragāmine | vanapālaśiraśchetre laṅkāprāsādabhañjine ||

Meaning

Hanuman is praised as Vayu's son, travelling through the sky and confronting guards in Lanka.

Explanation

The verse uses vivid action to convey determination in service of the assigned mission.

37

ज्वलत्काञ्चनवर्णाय दीर्घलाङ्गूलधारिणे । सौमित्रिजयदात्रे च रामदूताय ते नमः ॥

Roman Transliteration

jvalatkaanchanavarnaaya deerghalaangooladhaarine | saumitrijayadaatre cha raamadootaaya te namah ||jvalatkāñcanavarṇāya dīrghalāṅgūladhāriṇe | saumitrijayadātre ca rāmadūtāya te namaḥ ||

Meaning

Salutations to the golden-radiant, long-tailed envoy of Rama, who helped Lakshmana attain victory.

Explanation

Sau­mitri means Lakshmana. The poetic description celebrates help given to Rama's family and cause.

38

अक्षस्य वधकर्त्रे च ब्रह्मशस्त्रनिवारिणे । लक्ष्मणाङ्गमहाशक्तिजातक्षतविनाशिने ॥

Roman Transliteration

akshasya vadhakartre cha brahmashastranivaarine | lakshmanaangamahaashaktijaatakshatavinaashine ||akṣasya vadhakartre ca brahmaśastranivāriṇe | lakṣmaṇāṅgamahāśaktijātakṣatavināśine ||

Meaning

He is honoured for defeating Aksha, countering a Brahma weapon and relieving Lakshmana's grave wound.

Explanation

The verse combines diverse Ramayana memories, whose precise sequencing and wording should be checked against specific tellings.

39

रक्षोघ्नाय रिपुघ्नाय भूतघ्नाय नमो नमः । ऋक्षवानरवीरौघप्रासादाय नमो नमः ॥

Roman Transliteration

rakshoghnaaya ripughnaaya bhootaghnaaya namo namah | rikshavaanaraveeraughapraasaadaaya namo namah ||rakṣoghnāya ripughnāya bhūtaghnāya namo namaḥ | ṛkṣavānaravīraughaprāsādāya namo namaḥ ||

Meaning

The poet repeatedly bows to the destroyer of hostile forces and supporter of monkey and bear warriors.

Explanation

The language belongs to the epic war; interpret it historically as story rhetoric, not a directive for harm.

परसैन्यबलघ्नाय शस्त्रास्त्रघ्नाय ते नमः । विषघ्नाय द्विषघ्नाय भयघ्नाय नमो नमः ॥

Roman Transliteration

parasainyabalaghnaaya shastraastraghnaaya te namah | vishaghnaaya dvishaghnaaya bhayaghnaaya namo namah ||parasainyabalaghnāya śastrāstraghnāya te namaḥ | viṣaghnāya dviṣaghnāya bhayaghnāya namo namaḥ ||

Meaning

Hanuman is praised as overcoming armies, weapons, poison, hostility and fear.

Explanation

Protective claims are devotional and not medical advice; suspected poisoning needs immediate professional treatment.

41

महारिपुभयघ्नाय भक्तत्राणैककारिणे । परप्रेरितमन्त्राणां मन्त्राणां स्तम्भकारिणे ॥

Roman Transliteration

mahaaripubhayaghnaaya bhaktatraanaikakaarine | parapreritamantraanaam mantraanaam stambhakaarine ||mahāripubhayaghnāya bhaktatrāṇaikakāriṇe | parapreritamantrāṇāṃ mantrāṇāṃ stambhakāriṇe ||

Meaning

The speaker invokes Hanuman against great enemies and against hostile mantras imagined to have been sent by others.

Explanation

This describes premodern concepts of counter-magic; the chapter does not provide safe, approved procedures for practicing them.

42

पयःपाषाणतरणकारणाय नमो नमः । बालार्कमण्डलग्रासकारिणे दुःखहारिणे ॥

Roman Transliteration

payahpaashaanataranakaaranaaya namo namah | baalaarkamandalagraasakaarine duhkhahaarine ||payaḥpāṣāṇataraṇakāraṇāya namo namaḥ | bālārkamaṇḍalagrāsakāriṇe duḥkhahāriṇe ||

Meaning

He is praised for the ocean crossing on stones and for the childhood story of approaching the sun, imagined as a fruit.

Explanation

The bridge narrative involves Rama's wider forces, while the sun episode belongs to Hanuman's childhood legends.

43

नखायुधाय भीमाय दन्तायुधधराय च । विहङ्गमाय शर्वाय वज्रदेहाय ते नमः ॥

Roman Transliteration

nakhaayudhaaya bheemaaya dantaayudhadharaaya cha | vihangamaaya sharvaaya vajradehaaya te namah ||nakhāyudhāya bhīmāya dantāyudhadharāya ca | vihaṅgamāya śarvāya vajradehāya te namaḥ ||

Meaning

Salutations to the formidable hero pictured with nail and tooth weapons, with a body as strong as a thunderbolt.

Explanation

The terrifying imagery expresses the protective warrior aspect; the reading śarva/vihangama requires careful comparison.

44

प्रतिग्रामस्थितायाथ भूतप्रेतवधार्थिने । करस्थशैलशस्त्राय रामशस्त्राय ते नमः ॥

Roman Transliteration

pratigraamasthitaayaatha bhootapretavadhaarthine | karasthashailashastraaya raamashastraaya te namah ||pratigrāmasthitāyātha bhūtapretavadhārthine | karasthaśailaśastrāya rāmaśastrāya te namaḥ ||

Meaning

Hanuman is praised as present throughout villages, holding a mountain and acting as Rama's instrument.

Explanation

Rāmaśastra is a devotional image of service to Rama; literal demon-hunting is not a social instruction.

45

कौपीनवाससे तुभ्यं रामभक्तिरताय च । दक्षिणाशाभास्कराय सतां चन्द्रोदयात्मने ॥

Roman Transliteration

kaupeenavaasase tubhyam raamabhaktirataaya cha | dakshinaashaabhaaskaraaya sataam chandrodayaatmane ||kaupīnavāsase tubhyaṃ rāmabhaktiratāya ca | dakṣiṇāśābhāskarāya satāṃ candrodayātmane ||

Meaning

The ascetic loincloth wearer devoted to Rama is compared to the sun in the south and moonrise for the good.

Explanation

The paired solar-lunar imagery balances strength with gentle encouragement and ascetic simplicity.

46

कृत्याक्षतव्यथाघ्नाय सर्वक्लेशहराय च । स्वाम्याज्ञापार्थसङ्ग्रामसख्यसञ्जयकारिणे ॥

Roman Transliteration

krityaakshatavyathaaghnaaya sarvakleshaharaaya cha | svaamyaajnaapaarthasangraamasakhyasanjayakaarine ||kṛtyākṣatavyathāghnāya sarvakleśaharāya ca | svāmyājñāpārthasaṅgrāmasakhyasañjayakāriṇe ||

Meaning

The hymn invokes Hanuman as remover of afflictions, fulfilling his master's command and helping companions in battle.

Explanation

Some compounds are difficult and differ in online texts; faithful service is clearer than a precise reconstruction of every battlefield image.

47

भक्तानां दिव्यवादेषु सङ्ग्रामे जयकारिणे । किल्किलारवकाराय घोरशब्दकराय च ॥

Roman Transliteration

bhaktaanaam divyavaadeshu sangraame jayakaarine | kilkilaaravakaaraaya ghorashabdakaraaya cha ||bhaktānāṃ divyavādeṣu saṅgrāme jayakāriṇe | kilkilāravakārāya ghoraśabdakarāya ca ||

Meaning

He is remembered for inspiring victory and uttering a formidable heroic roar.

Explanation

The sound word has major variant spellings in witnesses; a definitive phonetic pronunciation is not established here.

48

सर्वाग्निव्याधिसंस्तम्भकारिणे भयहारिणे । सदा वनफलाहारसन्तृप्ताय विशेषतः ॥

Roman Transliteration

sarvaagnivyaadhisamstambhakaarine bhayahaarine | sadaa vanaphalaahaarasantriptaaya visheshatah ||sarvāgnivyādhisaṃstambhakāriṇe bhayahāriṇe | sadā vanaphalāhārasantṛptāya viśeṣataḥ ||

Meaning

He is praised as calming fire, illness and fear, and as content with forest fruits.

Explanation

The illness-related statement is devotional, not a substitute for diagnosis or treatment; forest food evokes simplicity.

49

महार्णवशिलाबद्धसेतुबन्धाय ते नमः । इत्येतत्कथितं विप्र मारुतेः कवचं शिवम् ॥

Roman Transliteration

mahaarnavashilaabaddhasetubandhaaya te namah | ityetatkathitam vipra maaruteh kavacham shivam ||mahārṇavaśilābaddhasetubandhāya te namaḥ | ityetatkathitaṃ vipra māruteḥ kavacaṃ śivam ||

Meaning

Salutations to the one associated with the stone-built ocean bridge; the narrator then declares that this auspicious Maruti kavacha has been told.

Explanation

This unusually combines the end of praise with the beginning of the phalashruti in a single numbered verse; both parts are preserved.

यस्मै कस्मै न दातव्यं रक्षणीयं प्रयत्नतः । अष्टगन्धैर्विलिख्याथ कवचं धारयेत्तु यः ॥

Roman Transliteration

yasmai kasmai na daatavyam rakshaneeyam prayatnatah | ashtagandhairvilikhyaatha kavacham dhaarayettu yah ||yasmai kasmai na dātavyaṃ rakṣaṇīyaṃ prayatnataḥ | aṣṭagandhairvilikhyātha kavacaṃ dhārayettu yaḥ ||

Meaning

The concluding tradition says the kavacha should be guarded and refers to writing and wearing it with fragrant materials.

Explanation

The historical ritual reference is described, not operationalized; no materials, procedure or initiation instructions are approved.

51

कण्ठे वा दक्षिणे बाहौ जयस्तस्य पदे पदे । किं पुनर्बहुनोक्तेन साधितं लक्षमादरात् ॥

Roman Transliteration

kanthe vaa dakshine baahau jayastasya pade pade | kim punarbahunoktena saadhitam lakshamaadaraat ||kaṇṭhe vā dakṣiṇe bāhau jayastasya pade pade | kiṃ punarbahunoktena sādhitaṃ lakṣamādarāt ||

Meaning

The verse traditionally promises success to the wearer and alludes to extensive disciplined repetition.

Explanation

No repetition counts or promises are recommended: the text's claim belongs to its devotional setting.

52

प्रजप्तमेतत्कवचमसाध्यं चापि साधयेत् ॥

Roman Transliteration

prajaptametatkavachamasaadhyam chaapi saadhayet ||prajaptametatkavacamasādhyaṃ cāpi sādhayet ||

Meaning

The short final line states that repeated devotion to this kavacha makes even very difficult aims attainable.

Explanation

Verse 52 is only a half-verse in the checked chapter; do not invent a missing companion line to make it metrically symmetrical.

इति श्रीबृहन्नारदीयपुराणे पूर्वभागे बृहदुपाख्याने तृतीयपादे हनुमत्कवचनिरूपणं नामाष्टसप्ततितमोऽध्यायः ॥ ७८ ॥

Roman Transliteration

iti shreebrihannaaradeeyapuraane poorvabhaage brihadupaakhyaane triteeyapaade hanumatkavachaniroopanam naamaashtasaptatitamo’dhyaayah || 78 ||iti śrībṛhannāradīyapurāṇe pūrvabhāge bṛhadupākhyāne tṛtīyapāde hanumatkavacanirūpaṇaṃ nāmāṣṭasaptatitamo’dhyāyaḥ || 78 ||

Meaning

The colophon identifies this as the seventy-eighth chapter on Hanuman’s protective hymn in the first part of the Bṛhannāradīya Purāṇa.

Explanation

A colophon is an editorial/traditional chapter identification and is not a fifty-third verse of the hymn. The title and divisions require historical witness verification.

Context & Usage

Complete selected digital working text: 52 verses and a separate chapter colophon; independent historical-print verification is pending.

What is this Hanumat Kavacham? This is the Hanumat Kavacham of the Nārada (Bṛhannāradīya) Purāṇa, Pūrvabhāga, chapter 78. Sanatkumāra tells Nārada how the protective praise of Maruti was transmitted from Rama. Verses 1–7 set up the narrative; verses 8–18 invoke protection across directions and parts of the body; 19–31 extend it into daily life and cosmic theology; 32–48 recall Hanuman's service and deeds; and 49–52 form the ending and the traditional fruits. 1 2

The work is not a conflation with the Ānanda Rāmāyaṇa, Sudarśana Saṃhitā or five-faced Hanuman kavacha traditions, which are distinct works. 4 5 6

**Textual

Chapter colophon

Meaning: The colophon identifies this as the seventy-eighth chapter on Hanuman’s protective hymn in the first part of the Bṛhannāradīya Purāṇa. Explanation: A colophon is an editorial/traditional chapter identification and is not a fifty-third verse of the hymn. The title and divisions require historical witness verification.

How to understand the imagery

Directions and the body (8–18): The prayer maps the compass and the whole body to aspects of Hanuman. Sanskrit terms such as pūrvataḥ (east), kaṇṭhe (throat) and nābhiṃ (navel) are spatial, not instructions for a healing technique. Rama's mission (32–48): The poem repeatedly evokes Sita, Rama's signet, the ocean crossing, the rescue mission in Lanka and aid to Lakshmana. Its heroic language is inseparable from the ideals of loyalty, courage and service. Hanuman's divine nature (25–31): References to Brahma, Vishnu, Maheshvara, the sun and the Vedas are theological praises within this text. They do not imply all Hindu traditions must interpret Hanuman identically. The promised fruits (49–52): The work refers to wearing a written kavacha and repeated invocation. Those are descriptions of historical/traditional practices, not operational guidance, a recommended recitation count, or a guarantee against illness, poisoning, fire or violence.

Textual witnesses, variants and rights

The selected online witness is Sanskrit Wikisource 1, compared against a second volunteer transcription 2, which explicitly restricts reposting for commercial or promotional use without permission. Key differences include a repeated sequence in verse 7, the epithet in verse 19, a missing syllable in the place name of verse 33, mantra/yantra in 41, śarva/śava in 43 and the heroic sound in 47. Verse 52 consists of a single half-verse in the checked digital chapter, so no missing line was fabricated. 1 2

No manuscript or historical-print pages have been independently collated. Copyright/licence status and editorial approval remain unresolved.

Frequently asked questions

Does Hanuman Kavacham always have 52 verses? No. This particular Nārada Purāṇa chapter has 52 numbered verses; other compositions under the same generic title differ substantially. Is this the five-faced Hanuman Kavacham? No. Pañcamukha Hanumat Kavacha is a separate composition and tradition. Why is verse 52 shorter? The checked online witnesses preserve a single half-verse at chapter end. The missing half has not been invented. Can I use the phalaśruti as a ritual procedure? This educational draft does not provide or authorize ritual operations or initiation-specific instructions. Rights, historical witnesses, Sanskrit and bilingual expert review remain outstanding. These are not asserted to be live URLs.

Sources, Credits & Licensing

Founder-authorized educational edition. Independent textual and specialist review remains incomplete; this reading does not confer initiation or ritual authorization.

Wikimedia contributors. Based on नारदपुराणम् — पूर्वार्धः, अध्यायः ७८, Sanskrit Wikisource. Original words, new Roman rendering and derivative meanings: CC BY-SA 4.0. Script conversion, punctuation, Romanization and any declared editorial lyric changes are adaptations; no independent textual certification.

Text licence

Original Roman reading

The Roman reading recorded with this edition, retaining its spelling and word forms before the Easy Roman display conversion.

  1. 1

    kārtavīryasya kavacaṃ kathitaṃ te munīśvara | mohavidhvaṃsanaṃ jaitraṃ māruteḥ kavacaṃ śṛṇu ||

  2. 2

    yasya sandhāraṇātsadyaḥ sarve naśyantyupadravāḥ | bhūtapretārijaṃ duḥkhaṃ nāśameti na saṃśayaḥ ||

  3. 3

    ekadāhaṃ gato draṣṭuṃ rāmaṃ ramayatāṃ varam | ānandavanikāsaṃsthaṃ dhyāyantaṃ svātmanaḥ padam ||

  4. 4

    tatra rāmaṃ ramānāthaṃ pūjitaṃ tridaśeśvaraiḥ | namaskṛtya tadādiṣṭamāsanaṃ sthitavān puraḥ ||

  5. 5

    tatra sarvaṃ mayā vṛttaṃ rāvaṇasya vadhāntakam | pṛṣṭaṃ provāca rājendraḥ śrīrāmaḥ svayamādarāt ||

  6. 6

    tataḥ kathānte bhagavānmāruteḥ kavacaṃ dadau | mahyaṃ tatte pravakṣyāmi na prakāśyaṃ hi kutracit ||

  7. 7

    bhaviṣyadetannirddiṣṭaṃ bālabhāvena nārada | śrīrāmeṇāñjanāsūnorbhuktimuktipradāyakam ||

  8. 8

    hanumān pūrvataḥ pātu dakṣiṇe pavanātmajaḥ | pātu pratīcyāmakṣaghnaḥ saumye sāgaratārakaḥ ||

  9. 9

    ūrdhvaṃ pātu kapiśreṣṭhaḥ kesaripriyanandanaḥ | adhastādviṣṇubhaktastu pātu madhye ca pāvaniḥ ||

  10. 10

    laṅkāvidāhakaḥ pātu sarvāpadbhyo nirantaram | sugrīvasacivaḥ pātu mastakaṃ vāyunandanaḥ ||

  11. 11

    bhālaṃ pātu mahāvīro bhruvormadhye nirantaram | netre chāyāpahārī ca pātu naḥ plavageśvaraḥ ||

  12. 12

    kapolau karṇamūle ca pātu śrīrāmakiṅkaraḥ | nāsāgramañjanāsūnuḥ pātu vaktraṃ harīśvaraḥ ||

  13. 13

    pātu kaṇṭhe tu daityāriḥ skandhau pātu surārijit | bhujau pātu mahātejāḥ karau ca caraṇāyudhaḥ ||

  14. 14

    nakhānnakhāyudhaḥ pātu kukṣau pātu kapīśvaraḥ | vakṣo mudrāpahārī ca pātu pārśve bhujāyudhaḥ ||

  15. 15

    laṅkānibharjanaḥ pātu pṛṣṭhadeśe nirantaram | nābhiṃ śrīrāmabhaktastu kaṭiṃ pātvanilātmajaḥ ||

  16. 16

    guhyaṃ pātu mahāprājñaḥ sakthinī atithipriyaḥ | ūrū ca jānunī pātu laṅkāprāsādabhañjanaḥ ||

  17. 17

    jaṅghe pātu kapiśreṣṭho gulphau pātu mahābalaḥ | acaloddhārakaḥ pātu pādau bhāskarasannibhaḥ ||

  18. 18

    aṅgāni pātu sattvāḍhyaḥ pātu pādāṅgulīḥ sadā | mukhāṅgāni mahāśūraḥ pātu romāṇi cātmavān ||

  19. 19

    divārātrau trilokeṣu sadāgatisuto’vatu | sthitaṃ vrajantamāsīnaṃ pibantaṃ jakṣataṃ kapiḥ ||

  20. 20

    lokottaraguṇaḥ śrīmān pātu tryambakasambhavaḥ | pramattamapramattaṃ vā śayānaṃ gahane’mbuni ||

  21. 21

    sthale’ntarikṣe hyagnau vā parvate sāgare drume | saṅgrāme saṅkaṭe ghore virāḍrūpadharo’vatu ||

  22. 22

    ḍākinīśākinīmārīkālarātrimarīcikāḥ | śayānaṃ māṃ vibhuḥ pātu piśācoragarākṣasīḥ ||

  23. 23

    divyadehadharo dhīmānsarvasattvabhayaṅkaraḥ | sādhakendrāvanaḥ śaśvatpātu sarvata eva mām ||

  24. 24

    yadrūpaṃ bhīṣaṇaṃ dṛṣṭvā palāyante bhayānakāḥ | sa sarvarūpaḥ sarvajñaḥ sṛṣṭisthitikaro’vatu ||

  25. 25

    svayaṃ brahmā svayaṃ viṣṇuḥ sākṣāddevo maheśvaraḥ | sūryamaṇḍalagaḥ śrīdaḥ pātu kālatraye’pi mām ||

  26. 26

    yasya śabdamupākarṇya daityadānavarākṣasāḥ | devā manuṣyāstiryañcaḥ sthāvarā jaṅgamāstathā ||

  27. 27

    sabhayā bhayanirmuktā bhavanti svakṛtānugāḥ | yasyānekakathāḥ puṇyāḥ śrūyante pratikalpake ||

  28. 28

    so’vatātsādhakaśreṣṭhaṃ sadā rāmaparāyaṇaḥ | vaidhātradhātṛprabhṛti yatkiñciddṛśyate’tyalam ||

  29. 29

    viddhi vyāptaṃ yathā kīśarūpeṇānañjanena tat | yo vibhuḥ so’hameṣo’haṃ svīyaḥ svayamaṇurbṛhat ||

  30. 30

    ṛgyajuḥsāmarūpaśca praṇavastrivṛdadhvaraḥ | tasmai svasmai ca sarvasmai nato’smyātmasamādhinā ||

  31. 31

    anekānantabrahmāṇḍadhṛte brahmasvarūpiṇe | samīraṇātmane tasmai nato’smyātmasvarūpiṇe ||

  32. 32

    namo hanumate tasmai namo mārutasūnave | namaḥ śrīrāmabhaktāya śyāmāya mahate namaḥ ||

  33. 33

    namo vānaravīrāya sugrīvasakhyakāriṇe | laṅkāvidahanāyātha mahāsāgaratāriṇe ||

  34. 34

    sītāśokavināśāya rāmamudrādharāya ca | rāvaṇāntanidānāya namaḥ sarvottarātmane ||

  35. 35

    meghanādamakhadhvaṃsakāraṇāya namo namaḥ | aśokavanavidhvaṃsakāriṇe jayadāyine ||

  36. 36

    vāyuputrāya vīrāya ākāśodaragāmine | vanapālaśiraśchetre laṅkāprāsādabhañjine ||

  37. 37

    jvalatkāñcanavarṇāya dīrghalāṅgūladhāriṇe | saumitrijayadātre ca rāmadūtāya te namaḥ ||

  38. 38

    akṣasya vadhakartre ca brahmaśastranivāriṇe | lakṣmaṇāṅgamahāśaktijātakṣatavināśine ||

  39. 39

    rakṣoghnāya ripughnāya bhūtaghnāya namo namaḥ | ṛkṣavānaravīraughaprāsādāya namo namaḥ ||

  40. 40

    parasainyabalaghnāya śastrāstraghnāya te namaḥ | viṣaghnāya dviṣaghnāya bhayaghnāya namo namaḥ ||

  41. 41

    mahāripubhayaghnāya bhaktatrāṇaikakāriṇe | parapreritamantrāṇāṃ mantrāṇāṃ stambhakāriṇe ||

  42. 42

    payaḥpāṣāṇataraṇakāraṇāya namo namaḥ | bālārkamaṇḍalagrāsakāriṇe duḥkhahāriṇe ||

  43. 43

    nakhāyudhāya bhīmāya dantāyudhadharāya ca | vihaṅgamāya śarvāya vajradehāya te namaḥ ||

  44. 44

    pratigrāmasthitāyātha bhūtapretavadhārthine | karasthaśailaśastrāya rāmaśastrāya te namaḥ ||

  45. 45

    kaupīnavāsase tubhyaṃ rāmabhaktiratāya ca | dakṣiṇāśābhāskarāya satāṃ candrodayātmane ||

  46. 46

    kṛtyākṣatavyathāghnāya sarvakleśaharāya ca | svāmyājñāpārthasaṅgrāmasakhyasañjayakāriṇe ||

  47. 47

    bhaktānāṃ divyavādeṣu saṅgrāme jayakāriṇe | kilkilāravakārāya ghoraśabdakarāya ca ||

  48. 48

    sarvāgnivyādhisaṃstambhakāriṇe bhayahāriṇe | sadā vanaphalāhārasantṛptāya viśeṣataḥ ||

  49. 49

    mahārṇavaśilābaddhasetubandhāya te namaḥ | ityetatkathitaṃ vipra māruteḥ kavacaṃ śivam ||

  50. 50

    yasmai kasmai na dātavyaṃ rakṣaṇīyaṃ prayatnataḥ | aṣṭagandhairvilikhyātha kavacaṃ dhārayettu yaḥ ||

  51. 51

    kaṇṭhe vā dakṣiṇe bāhau jayastasya pade pade | kiṃ punarbahunoktena sādhitaṃ lakṣamādarāt ||

  52. 52

    prajaptametatkavacamasādhyaṃ cāpi sādhayet ||

  53. 53

    iti śrībṛhannāradīyapurāṇe pūrvabhāge bṛhadupākhyāne tṛtīyapāde hanumatkavacanirūpaṇaṃ nāmāṣṭasaptatitamo’dhyāyaḥ || 78 ||

Sources

  • 1 Sanskrit Wikisource, Nārada Purāṇa Pūrvabhāga, chapter 78 — selected digital reading.
  • 2 Sanskrit Documents, Hanumat Kavacham from Nārada Purāṇa — comparative digital witness (reuse restricted).
  • 3 Wisdom Library, Nārada Purāṇa 78.1 — confirms chapter identification.
  • 4 Ānanda Rāmāyaṇa Hanumat Kavacham — distinct composition.
  • 5 Sudarśana Saṃhitā Hanumat Kavacham — distinct composition.
  • 6 Pañcamukha Hanumat Kavacham — distinct composition.
Additional passage commentary

Verse 1

Meaning: Sanatkumāra says that after describing Kārtavīrya's armour, he will relate Maruti's protective hymn, praised as victorious and dispelling delusion. Explanation: The framing connects two successive Narada Purana chapters and identifies the teacher as Sanatkumara, not a modern poet. The word kavacha signifies a liturgical shield of remembrance.

Verse 2

Meaning: The text praises the kavacha as removing adversities, including harms attributed in its traditional worldview to spirits and foes. Explanation: These are the hymn's conventional protection claims, not verified guarantees about illness, spirits, or physical danger. Their rhetorical strength reflects faith.

Verse 3

Meaning: Sanatkumara remembers going to see Rama, who was seated in the blissful grove and meditating on the Self. Explanation: The account presents Rama as both an epic hero and a figure absorbed in spiritual contemplation, preparing the transmission narrative.

Verse 4

Meaning: He reverently greeted Rama, honoured among the gods, and took the seat Rama offered. Explanation: The scene models hospitality and respect between teacher and disciple; it is the story frame rather than part of the bodily protection list.

Verse 5

Meaning: Rama responds respectfully when questioned about the events leading to Ravana's defeat. Explanation: The kavacha is embedded within a Ramayana recollection, not a standalone anonymous spell from the start.

Verse 6

Meaning: When their story concludes, Rama grants the kavacha of Maruti, which the speaker promises to transmit discreetly. Explanation: The language of secrecy marks the text's claimed sacred value; it does not authorize this website to teach initiatory or restricted practices.

Verse 7

Meaning: The text presents Rama's gift concerning Anjani's son as conferring both worldly fulfilment and liberation. Explanation: The precise grammar of this verse is disputed across digital witnesses; these fruits must be read as a traditional attribution.

Verse 8

Meaning: May Hanuman guard the east, the Wind's son the south, the slayer of Aksha the west, and the ocean-crosser the north. Explanation: Four directions form a symbolic compass of remembrance. Akṣaghna recalls Hanuman's slaying of Akṣa in the Ramayana.

Verse 9

Meaning: May the chief of monkeys protect above, Kesari's beloved son and Vishnu's devotee below, and the wind-born one at the centre. Explanation: The hymn extends its compass vertically; names of kinship and devotion accompany heroic ones.

Verse 10

Meaning: May the burner of Lanka guard against danger and Sugriva's counsellor, Vayu's son, protect the head. Explanation: Lanka's burning is recalled as a display of courage; the same Hanuman is valued for service and wise counsel.

Verse 11

Meaning: May the great hero guard the forehead and brow, while the lord of leaping creatures protects the eyes. Explanation: The body's sensory organs become objects of prayer, a pattern continued in the next verses. A rare epithet in the first half needs lexical review.

Verse 12

Meaning: May Rama's servant protect cheeks and ears; Anjani's son and the lord of monkeys guard nose and face. Explanation: Kinship and service to Rama are central identities, not merely descriptions of combat prowess.

Verse 13

Meaning: May the enemy of demons guard the throat, the conqueror of the gods' foes the shoulders, and the resplendent hero the arms and hands. Explanation: The weapons-related title is an epic poetic image; no act of violence or weapon use is prescribed.

Verse 14

Meaning: May the nail-armed hero guard nails, the lord of monkeys the abdomen, and the bearer of the signet guard chest and sides. Explanation: The signet evokes Rama's ring carried to Sita. The precise compound meaning remains subject to source collation.

Verse 15

Meaning: May the subduer of Lanka guard the back, Rama's devotee the navel, and the Wind's son the waist. Explanation: A difficult epithet varies between digital copies; the body's central portions continue to be mapped onto devotional names.

Verse 16

Meaning: May the wise hero guard the private parts and thighs, and Lanka's palace-breaker protect the knees. Explanation: The anatomical language is ordinary to a kavacha: the whole body, not merely noble-looking parts, is placed under care.

Verse 17

Meaning: May the chief monkey protect the shins, the strong one the ankles, and the mountain-lifter the feet. Explanation: The mountain-lifting motif evokes the Sanjivani episode, expressing urgent service to the wounded Lakshmana.

Verse 18

Meaning: May the valiant, self-possessed Hanuman guard limbs, toes, facial members and even the body's hairs. Explanation: The catalogue rounds out the entire body, lending the kavacha its metaphorical completeness.

Verse 19

Meaning: May the Wind's son protect throughout day and night, while standing, walking, sitting, drinking and eating. Explanation: Devotion is extended from exceptional dangers into ordinary daily activities; one epithet differs across digital witnesses.

Verse 20

Meaning: May the extraordinary, blessed Hanuman, associated here with Tryambaka, protect the heedful and heedless, even during sleep or in deep water. Explanation: Tryambakasambhava reflects a Shaiva association within a Ramabhakti hymn. It should not be presented as the only theology of Hanuman.

Verse 21

Meaning: May the cosmic-form bearer guard in wilderness, sky, fire, mountains, sea, trees, battle and grave distress. Explanation: The long list expresses a wish for refuge in every setting, not literal immunity from fire, falls or violence.

Verse 22

Meaning: May the all-pervading Lord protect the sleeping devotee from frightening beings named in the inherited folklore. Explanation: The frightening beings belong to premodern religious imagery. Readers need not accept them as empirically demonstrable threats.

Verse 23

Meaning: May the wise, radiant protector of devotees shelter the speaker from every side. Explanation: The request returns from named threats to a universal invocation. The compound for guardian of practitioners invites grammatical review.

Verse 24

Meaning: May Hanuman, whose awe-inspiring form drives frightening forces away, protect as the all-knowing sustainer of creation. Explanation: The verse enlarges Hanuman from Ramayana companion to cosmic protector, a theological assertion of this hymn.

Verse 25

Meaning: May the divine power described as Brahma, Vishnu, Maheshvara and dwelling in the sun protect through all three times. Explanation: Such identifications reflect inclusive devotional theology and do not erase distinctions maintained by particular sects.

Verse 26

Meaning: The verse imagines demons, gods, people, animals, stationary and moving beings hearing Hanuman's mighty voice. Explanation: Its sentence continues into verse 27, so it should be explained together with the next verse rather than as an isolated claim.

Verse 27

Meaning: The beings just named are portrayed as stirred by fear and released from fear, while stories of Hanuman are recounted across cosmic cycles. Explanation: The grammatical construction is compact and variant-prone; it may juxtapose awe before the divine and relief in divine protection.

Verse 28

Meaning: May the Rama-devoted guardian protect the foremost aspirant; the text begins to describe the reach of divine presence. Explanation: The second line runs into the metaphysical language of verse 29 and requires cautious translation.

Verse 29

Meaning: The hymn asks the listener to perceive the visible world as pervaded by the divine, evoked through the monkey-hero, at once subtle and immense. Explanation: This verse is textually and syntactically difficult; identity language here is theological poetry, not a settled doctrinal statement.

Verse 30

Meaning: Hanuman is praised in imagery linked to Ṛg, Yajus, Sāman, Oṃ and sacrificial worship, and the speaker bows in inner composure. Explanation: Vedic vocabulary dignifies the devotee's vision of Hanuman; it is not a claim that this kavacha itself is a Vedic hymn.

Verse 31

Meaning: The speaker bows to the wind-born divine who is imagined sustaining countless universes and sharing the nature of Brahman. Explanation: The cosmic image shifts the poem into metaphysical praise, beyond its earlier list of bodily protections.

Verse 32

Meaning: Reverence is offered to Hanuman, son of Marut, a great devotee of Rama. Explanation: The refrain of salutations begins a catalogue of remembered heroic and devotional deeds.

Verse 33

Meaning: Salutations to the monkey hero, Sugriva's ally, who burned Lanka and crossed the vast sea. Explanation: Both deeds belong to Hanuman's mission to find Sita, and should be understood within that Ramayana narrative.

Verse 34

Meaning: He is praised for ending Sita's sorrow, bearing Rama's signet and contributing to Ravana's downfall. Explanation: The seal is a token of trust: Hanuman's mission conveys recognition and reassurance rather than personal fame.

Verse 35

Meaning: The hymn recalls the destruction of Meghnada's rite and the breaking of the Ashoka grove. Explanation: This is narrative heroism in the epic conflict, not a recommendation to disrupt real religious worship.

Verse 36

Meaning: Hanuman is praised as Vayu's son, travelling through the sky and confronting guards in Lanka. Explanation: The verse uses vivid action to convey determination in service of the assigned mission.

Verse 37

Meaning: Salutations to the golden-radiant, long-tailed envoy of Rama, who helped Lakshmana attain victory. Explanation: Sau­mitri means Lakshmana. The poetic description celebrates help given to Rama's family and cause.

Verse 38

Meaning: He is honoured for defeating Aksha, countering a Brahma weapon and relieving Lakshmana's grave wound. Explanation: The verse combines diverse Ramayana memories, whose precise sequencing and wording should be checked against specific tellings.

Verse 39

Meaning: The poet repeatedly bows to the destroyer of hostile forces and supporter of monkey and bear warriors. Explanation: The language belongs to the epic war; interpret it historically as story rhetoric, not a directive for harm.

Verse 40

Meaning: Hanuman is praised as overcoming armies, weapons, poison, hostility and fear. Explanation: Protective claims are devotional and not medical advice; suspected poisoning needs immediate professional treatment.

Verse 41

Meaning: The speaker invokes Hanuman against great enemies and against hostile mantras imagined to have been sent by others. Explanation: This describes premodern concepts of counter-magic; the chapter does not provide safe, approved procedures for practicing them.

Verse 42

Meaning: He is praised for the ocean crossing on stones and for the childhood story of approaching the sun, imagined as a fruit. Explanation: The bridge narrative involves Rama's wider forces, while the sun episode belongs to Hanuman's childhood legends.

Verse 43

Meaning: Salutations to the formidable hero pictured with nail and tooth weapons, with a body as strong as a thunderbolt. Explanation: The terrifying imagery expresses the protective warrior aspect; the reading śarva/vihangama requires careful comparison.

Verse 44

Meaning: Hanuman is praised as present throughout villages, holding a mountain and acting as Rama's instrument. Explanation: Rāmaśastra is a devotional image of service to Rama; literal demon-hunting is not a social instruction.

Verse 45

Meaning: The ascetic loincloth wearer devoted to Rama is compared to the sun in the south and moonrise for the good. Explanation: The paired solar-lunar imagery balances strength with gentle encouragement and ascetic simplicity.

Verse 46

Meaning: The hymn invokes Hanuman as remover of afflictions, fulfilling his master's command and helping companions in battle. Explanation: Some compounds are difficult and differ in online texts; faithful service is clearer than a precise reconstruction of every battlefield image.

Verse 47

Meaning: He is remembered for inspiring victory and uttering a formidable heroic roar. Explanation: The sound word has major variant spellings in witnesses; a definitive phonetic pronunciation is not established here.

Verse 48

Meaning: He is praised as calming fire, illness and fear, and as content with forest fruits. Explanation: The illness-related statement is devotional, not a substitute for diagnosis or treatment; forest food evokes simplicity.

Verse 49

Meaning: Salutations to the one associated with the stone-built ocean bridge; the narrator then declares that this auspicious Maruti kavacha has been told. Explanation: This unusually combines the end of praise with the beginning of the phalashruti in a single numbered verse; both parts are preserved.

Verse 50

Meaning: The concluding tradition says the kavacha should be guarded and refers to writing and wearing it with fragrant materials. Explanation: The historical ritual reference is described, not operationalized; no materials, procedure or initiation instructions are approved.

Verse 51

Meaning: The verse traditionally promises success to the wearer and alludes to extensive disciplined repetition. Explanation: No repetition counts or promises are recommended: the text's claim belongs to its devotional setting.

Verse 52

Meaning: The short final line states that repeated devotion to this kavacha makes even very difficult aims attainable. Explanation: Verse 52 is only a half-verse in the checked chapter; do not invent a missing companion line to make it metrically symmetrical.

  1. नारदपुराणम् — पूर्वार्धः, अध्यायः ७८, Sanskrit Wikisource · Open source
  2. Shri Hanumat Kavacham — Narada Purana, Sanskrit Documents · Open source
  3. Nārada Purāṇa, Pūrvabhāga 78.1 on Wisdom Library · Open source
  4. Hanumat Kavacham — Ānanda Rāmāyaṇa, Sanskrit Documents · Open source
  5. Hanumat Kavacham — Sudarśana Saṃhitā, Sanskrit Documents · Open source
  6. Pañcamukha Hanumat Kavacham — Sanskrit Documents · Open source