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Easy Roman is a Devanagari-based Sanskrit reading aid. IAST preserves scholarly distinctions. Where no Roman text was supplied, IAST is derived automatically from the Devanagari; this is not a certified pronunciation guide. Vernacular songs retain their supplied word forms and spoken endings. Easy Roman simplifies unambiguous diacritics; their scholarly view retains the supplied Roman form rather than inventing Sanskrit pronunciation. Selected bija spellings are kept where unambiguous.

Chalisa

Lakshmi Chalisa — Complete 40-Chaupai Text and English Meaning

A source-anchored text-first Lakshmi Chalisa with Roman Hindi, English explanations and an honest 39/40 variant comparison.

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Text, Meaning & Explanation

Opening Doha

मातु लक्ष्मी करि कृपा, करो हृदय में वास। मनोकामना सिद्ध करि, पुरवहु मेरी आस॥

Roman Hindi

Matu Lakshmi Kari Kripa, Karo Hriday Mein Vaas Manokamna Siddh Kari, Puravahu Meri AasMatu Lakshmi Kari Kripa, Karo Hriday Mein Vaas Manokamna Siddh Kari, Puravahu Meri Aas

Meaning

Mother Lakshmi is asked to dwell in the heart and bring the devotee’s hopes to fruition.

Explanation

The opening moves the idea of prosperity inward: a receptive and compassionate heart matters as much as material comfort.

यही मोर अरदास, हाथ जोड़ विनती करूँ। सब विधि करौ सुवास, जय जननि जगदंबिका॥

Roman Hindi

Yahi Mor Ardas, Haath Jod Vinti Karun Sab Vidhi Karau Suvas, Jai Janani JagdambikaYahi Mor Ardas, Haath Jod Vinti Karun Sab Vidhi Karau Suvas, Jai Janani Jagdambika

Meaning

With folded hands the speaker petitions the universal Mother to make life auspicious.

Explanation

A soratha is a vernacular metrical form. This is a prayer, not an instruction for a secret rite.

Chaupai 1

सिन्धु सुता मैं सुमिरौं तोही। ज्ञान बुद्धि विद्या दो मोही॥

Roman Hindi

Sindhu Suta Main Sumirau Tohi Gyan Buddhi Vidya Do MohiSindhu Suta Main Sumirau Tohi Gyan Buddhi Vidya Do Mohi

Meaning

The devotee remembers the ocean-born Goddess and asks for knowledge, intelligence and learning.

Explanation

The request puts understanding beside wealth and resists a purely monetary reading of Lakshmi.

Chaupai 2

तुम समान नहिं कोई उपकारी। सब विधि पुरवहु आस हमारी॥

Roman Hindi

Tum Saman Nahin Koi Upkari Sab Vidhi Puravahu Aas HamariTum Saman Nahin Koi Upkari Sab Vidhi Puravahu Aas Hamari

Meaning

None is considered so generous as the Mother; the devotee asks her to fulfil worthy hopes.

Explanation

The praise voices a devotee’s gratitude; it should not be turned into a guarantee of financial results.

Chaupai 3

जय जय जगत जननि जगदम्बा। सबकी तुम ही हो अवलम्बा॥

Roman Hindi

Jai Jai Jagat Janani Jagdamba Sabki Tum Hi Ho AvalambaJai Jai Jagat Janani Jagdamba Sabki Tum Hi Ho Avalamba

Meaning

Victory to the Mother of the world, on whom beings seek support.

Explanation

Jagadamba places Lakshmi within a broad Goddess vocabulary; theological identifications vary across traditions.

Chaupai 4

तुम ही हो सब घट घट वासी। विनती यही हमारी खासी॥

Roman Hindi

Tum Hi Ho Sab Ghat Ghat Vasi Vinti Yahi Hamari KhasiTum Hi Ho Sab Ghat Ghat Vasi Vinti Yahi Hamari Khasi

Meaning

She is revered as present within every being, and the singer offers a heartfelt petition.

Explanation

Ghat-ghat evokes inward presence; it does not require a literal spatial description of divinity.

Chaupai 5

जगजननी जय सिन्धु कुमारी। दीनन की तुम हो हितकारी॥

Roman Hindi

Jag Janani Jai Sindhu Kumari Deenan Ki Tum Ho HitkariJag Janani Jai Sindhu Kumari Deenan Ki Tum Ho Hitkari

Meaning

The daughter of the ocean is praised as the well-wisher of distressed people.

Explanation

Compassion toward those in need gives the hymn an ethical dimension beyond abundance.

Chaupai 6

विनवौं नित्य तुमहिं महारानी। कृपा करौ जग जननि भवानी॥

Roman Hindi

Vinvau Nitya Tumahin Maharani Kripa Karau Jag Janani BhavaniVinvau Nitya Tumahin Maharani Kripa Karau Jag Janani Bhavani

Meaning

The devotee prays every day to the queenly world-Mother for grace.

Explanation

'Bhavani' is an affectionate Goddess title here; its exact sectarian implications should not be imposed on every reader.

Chaupai 7

केहि विधि स्तुति करौं तिहारी। सुधि लीजै अपराध बिसारी॥

Roman Hindi

Kehi Vidhi Stuti Karau Tihari Sudhi Lijai Apradh BisariKehi Vidhi Stuti Karau Tihari Sudhi Lijai Apradh Bisari

Meaning

Unable to praise her adequately, the speaker asks forgiveness for faults and remembrance.

Explanation

Admitting limitations counters the assumption that perfect pronunciation is the only basis for sincere devotion.

कृपा दृष्टि चितवो मम ओरी। जगजननी विनती सुन मोरी॥

Roman Hindi

Kripa Drishti Chitavo Mam Ori Jag Janani Vinti Sun MoriKripa Drishti Chitavo Mam Ori Jag Janani Vinti Sun Mori

Meaning

The singer asks the Mother to look compassionately and listen to the plea.

Explanation

The language of a caring gaze is a familiar image of devotional closeness.

Chaupai 9

ज्ञान बुद्धि जय सुख की दाता। संकट हरो हमारी माता॥

Roman Hindi

Gyan Buddhi Jai Sukh Ki Data Sankat Haro Hamari MataGyan Buddhi Jai Sukh Ki Data Sankat Haro Hamari Mata

Meaning

Lakshmi is invoked as giver of knowledge, wisdom and happiness, and remover of distress.

Explanation

The unusual phrase 'ज्ञान बुद्धि जय सुख' remains as in this witness, rather than being silently rewritten.

Chaupai 10

क्षीरसिन्धु जब विष्णु मथायो। चौदह रत्न सिन्धु में पायो॥

Roman Hindi

Ksheer Sindhu Jab Vishnu Mathayo Chaudah Ratna Sindhu Mein PayoKsheer Sindhu Jab Vishnu Mathayo Chaudah Ratna Sindhu Mein Payo

Meaning

The hymn recalls the churning of the milk ocean and its traditional fourteen treasures.

Explanation

The counting and order of treasures vary in narrative sources; it is a mythological setting, not a historical chronicle.

Chaupai 11

चौदह रत्न में तुम सुखरासी। सेवा कियो प्रभु बनि दासी॥

Roman Hindi

Chaudah Ratna Mein Tum Sukhrasi Seva Kiyo Prabhu Bani DasiChaudah Ratna Mein Tum Sukhrasi Seva Kiyo Prabhu Bani Dasi

Meaning

Lakshmi appears among the ocean’s treasures as a source of joy and devoted service.

Explanation

The word 'dasi' belongs to the poem’s bhakti idiom of humble service, not a statement that women must be subordinate.

Chaupai 12

जब जब जन्म जहां प्रभु लीन्हा। रूप बदल तहं सेवा कीन्हा॥

Roman Hindi

Jab Jab Janam Jahan Prabhu Linha Roop Badal Tahan Seva KinhaJab Jab Janam Jahan Prabhu Linha Roop Badal Tahan Seva Kinha

Meaning

As the Lord takes different births, the Goddess also assumes corresponding forms and serves him.

Explanation

This describes a Vaishnava devotional relationship; not every Shakta theology frames the divine couple identically.

Chaupai 13

स्वयं विष्णु जब नर तनु धारा। लीन्हेउ अवधपुरी अवतारा॥

Roman Hindi

Swayam Vishnu Jab Nar Tanu Dhara Linheu Avadhpuri AvataraSwayam Vishnu Jab Nar Tanu Dhara Linheu Avadhpuri Avatara

Meaning

The poem remembers Vishnu taking a human birth in Ayodhya.

Explanation

The implied avatara is Rama, understood within the Rama-Vishnu connection of the tradition.

Chaupai 14

तब तुम प्रगट जनकपुर माहीं। सेवा कियो हृदय पुलकाहीं॥

Roman Hindi

Tab Tum Pragat Janakpur Mahin Seva Kiyo Hriday PulkahinTab Tum Pragat Janakpur Mahin Seva Kiyo Hriday Pulkahin

Meaning

Lakshmi is remembered as appearing in Janakpur and serving with a joyful heart.

Explanation

The identification of Sita with Lakshmi is traditional theology, not a claim about a verifiable historical birth.

Chaupai 15

अपनायो तोहि अन्तर्यामी। विश्व विदित त्रिभुवन की स्वामी॥

Roman Hindi

Apnayo Tohi Antaryami Vishva Vidit Tribhuvan Ki SwamiApnayo Tohi Antaryami Vishva Vidit Tribhuvan Ki Swami

Meaning

The all-knowing Lord accepts her; she is celebrated as mistress of the three worlds.

Explanation

The grand cosmological title is devotional praise, emphasizing the Goddess’s dignity.

Chaupai 16

तुम सम प्रबल शक्ति नहिं आनी। कहँ लौं महिमा कहौं बखानी॥

Roman Hindi

Tum Sam Prabal Shakti Nahin Aani Kahan Lau Mahima Kahau BakhaniTum Sam Prabal Shakti Nahin Aani Kahan Lau Mahima Kahau Bakhani

Meaning

No other power is like hers; the poet cannot fully describe her greatness.

Explanation

Admitting the limits of speech is a familiar theme in praise poetry.

Chaupai 17

मन क्रम वचन करै सेवकाई। मन इच्छित वांछित फल पाई॥

Roman Hindi

Man Kram Vachan Karai Sevkai Man Ichchhit Vanchhit Phal PaiMan Kram Vachan Karai Sevkai Man Ichchhit Vanchhit Phal Pai

Meaning

Those who serve with mind, action and speech hope for cherished fulfilment.

Explanation

The triad points to coherence between intention, conduct and expression, not a transactional bargain.

तजि छल कपट और चतुराई। पूजहिं विविध भाँति मन लाई॥

Roman Hindi

Taji Chhal Kapat Aur Chaturai Poojahin Vividh Bhanti Man LaiTaji Chhal Kapat Aur Chaturai Poojahin Vividh Bhanti Man Lai

Meaning

Worship is praised when performed wholeheartedly and without deceit.

Explanation

Ethical honesty, not ritual display, becomes the controlling idea of the stanza.

Chaupai 19

और हाल मैं कहौं बुझाई। जो यह पाठ करै मन लाई॥

Roman Hindi

Aur Haal Main Kahau Bujhai Jo Yah Path Karai Man LaiAur Haal Main Kahau Bujhai Jo Yah Path Karai Man Lai

Meaning

The poet introduces an assurance about people who recite attentively.

Explanation

This line leads syntactically into the next couplet; reading the pair together avoids a false standalone claim.

Chaupai 20

ताको कोई कष्ट न होई। मन इच्छित पावै फल सोई॥

Roman Hindi

Tako Koi Kasht Na Hoi Man Ichchhit Pavai Phal SoiTako Koi Kasht Na Hoi Man Ichchhit Pavai Phal Soi

Meaning

The poem assures attentive devotees that troubles recede and hopes are fulfilled.

Explanation

This is a traditional phalashruti-style promise, not evidence of certain life outcomes.

Chaupai 21

त्राहि त्राहि जय दुःख निवारिणि। त्रिविध ताप भव बंधन हारिणि॥

Roman Hindi

Trahi Trahi Jai Dukh Nivarini Trividh Taap Bhav Bandhan HariniTrahi Trahi Jai Dukh Nivarini Trividh Taap Bhav Bandhan Harini

Meaning

The devotee cries for rescue from suffering, the three afflictions and worldly bondage.

Explanation

The three afflictions are interpreted differently in Hindu schools; this hymn does not specify one exclusive system.

Chaupai 22

जो चालीसा पढ़ै पढ़ावै। ध्यान लगाकर सुनै सुनावै॥

Roman Hindi

Jo Chalisa Padhai Padhavai Dhyan Lagakar Sunai SunavaiJo Chalisa Padhai Padhavai Dhyan Lagakar Sunai Sunavai

Meaning

People who read, recite, listen and share the hymn with attention are praised.

Explanation

Recitation appears as accessible collective devotion; it should not become compulsory practice advice.

Chaupai 23

ताकौ कोई न रोग सतावै। पुत्र आदि धन सम्पत्ति पावै॥

Roman Hindi

Takau Koi Na Rog Satavai Putra Aadi Dhan Sampatti PavaiTakau Koi Na Rog Satavai Putra Aadi Dhan Sampatti Pavai

Meaning

The hymn promises freedom from illness and gifts of offspring and prosperity.

Explanation

These statements must not be presented as medical, fertility or financial guarantees; seek qualified help where needed.

Chaupai 24

पुत्रहीन अरु सम्पति हीना। अन्ध बधिर कोढ़ी अति दीना॥

Roman Hindi

Putraheen Aru Sampati Heena Andh Badhir Kodhi Ati DeenaPutraheen Aru Sampati Heena Andh Badhir Kodhi Ati Deena

Meaning

The poem names childlessness, poverty, blindness, deafness and leprosy among hardships.

Explanation

This inherited language may be stigmatizing; people with disabilities or illnesses do not have diminished worth.

Chaupai 25

विप्र बोलाय कै पाठ करावै। शंका दिल में कभी न लावै॥

Roman Hindi

Vipra Bolay Kai Path Karavai Shanka Dil Mein Kabhi Na LavaiVipra Bolay Kai Path Karavai Shanka Dil Mein Kabhi Na Lavai

Meaning

The text describes inviting a learned Brahmin to perform recitation without doubt.

Explanation

This is the witness’s traditional ritual voice, not a requirement imposed by this educational guide.

Chaupai 26

पाठ करावै दिन चालीसा। ता पर कृपा करैं गौरीसा॥

Roman Hindi

Path Karavai Din Chalisa Ta Par Kripa Karain GaurisaPath Karavai Din Chalisa Ta Par Kripa Karain Gaurisa

Meaning

It describes forty days of recitation and invokes grace from Gaurisha, Lord of Gauri.

Explanation

The Shiva epithet 'Gaurisha' is preserved; the work is not thereby transformed into a Shiva-specific ritual manual.

Chaupai 27

सुख सम्पत्ति बहुत सी पावै। कमी नहीं काहू की आवै॥

Roman Hindi

Sukh Sampatti Bahut Si Pavai Kami Nahin Kahu Ki AavaiSukh Sampatti Bahut Si Pavai Kami Nahin Kahu Ki Aavai

Meaning

The devotee expects plentiful happiness and resources with no lack.

Explanation

Read the wish alongside the earlier emphasis on honesty and compassion.

बारह मास करै जो पूजा। तेहि सम धन्य और नहिं दूजा॥

Roman Hindi

Barah Maas Karai Jo Pooja Tehi Sam Dhanya Aur Nahin DoojaBarah Maas Karai Jo Pooja Tehi Sam Dhanya Aur Nahin Dooja

Meaning

Regular worship through all twelve months is praised as blessed.

Explanation

Year-round remembrance is a devotional ideal; the stanza does not prove that one schedule suits everyone.

Chaupai 29

प्रतिदिन पाठ करै मन माहीं। उन सम कोइ जग में कहुँ नाहीं॥

Roman Hindi

Pratidin Path Karai Man Mahin Un Sam Koi Jag Mein Kahun NahinPratidin Path Karai Man Mahin Un Sam Koi Jag Mein Kahun Nahin

Meaning

The devoted daily reader is praised as exceptionally fortunate.

Explanation

Praise of perseverance is rhetorical; comparing people’s piety by a fixed count would miss the point.

Chaupai 30

बहुविधि क्या मैं करौं बड़ाई। लेय परीक्षा ध्यान लगाई॥

Roman Hindi

Bahuvidhi Kya Main Karau Badai Ley Pariksha Dhyan LagaiBahuvidhi Kya Main Karau Badai Ley Pariksha Dhyan Lagai

Meaning

The singer says praise is insufficient and invites attentive personal reflection.

Explanation

The ambiguous 'लेय परीक्षा' is not treated as a reproducible test for supernatural results.

Chaupai 31

करि विश्वास करै व्रत नेमा। होय सिद्ध उपजै उर प्रेमा॥

Roman Hindi

Kari Vishvas Karai Vrat Nema Hoy Siddh Upjai Ur PremaKari Vishvas Karai Vrat Nema Hoy Siddh Upjai Ur Prema

Meaning

Faithful observance is said to lead to fulfilment and love in the heart.

Explanation

The inner transformation—love—offers a less material reading of accomplishment.

Chaupai 32

जय जय जय लक्ष्मी भवानी। सब में व्यापित हो गुण खानी॥

Roman Hindi

Jai Jai Jai Lakshmi Bhavani Sab Mein Vyapit Ho Gun KhaniJai Jai Jai Lakshmi Bhavani Sab Mein Vyapit Ho Gun Khani

Meaning

Victory to Lakshmi Bhavani, the treasury of virtues present throughout existence.

Explanation

'Bhavani' reflects expansive Goddess identification in the hymn, not a universal doctrinal equation.

Chaupai 33

तुम्हरो तेज प्रबल जग माहीं। तुम सम कोउ दयालु कहुँ नाहीं॥

Roman Hindi

Tumhro Tej Prabal Jag Mahin Tum Sam Kou Dayalu Kahun NahinTumhro Tej Prabal Jag Mahin Tum Sam Kou Dayalu Kahun Nahin

Meaning

The Goddess is praised for radiant power and unmatched compassion.

Explanation

Power and gentleness appear together; the text does not reduce Lakshmi to wealth alone.

Chaupai 34

मोहि अनाथ की सुधि अब लीजै। संकट काटि भक्ति मोहि दीजै॥

Roman Hindi

Mohi Anath Ki Sudhi Ab Lijai Sankat Kaati Bhakti Mohi DijaiMohi Anath Ki Sudhi Ab Lijai Sankat Kaati Bhakti Mohi Dijai

Meaning

The abandoned devotee asks for support, relief and, importantly, the gift of devotion.

Explanation

Asking for bhakti alongside relief suggests that spiritual relationship is a goal in itself.

Chaupai 35

भूल चूक करि क्षमा हमारी। दर्शन दीजै दशा निहारी॥

Roman Hindi

Bhool Chook Kari Kshama Hamari Darshan Dijai Dasha NihariBhool Chook Kari Kshama Hamari Darshan Dijai Dasha Nihari

Meaning

The speaker asks forgiveness for mistakes and longs for a compassionate vision.

Explanation

Darshan here expresses intimate encounter through devotional language; it should not be promised as an objectively verifiable event.

Chaupai 36

बिन दर्शन व्याकुल अधिकारी। तुमहि अछत दुःख सहते भारी॥

Roman Hindi

Bin Darshan Vyakul Adhikari Tumahi Achhat Dukh Sahte BhariBin Darshan Vyakul Adhikari Tumahi Achhat Dukh Sahte Bhari

Meaning

Without the Goddess’s vision, the seeker feels restless despite her presence.

Explanation

The tension between believed divine nearness and felt separation is a recurrent bhakti theme.

Chaupai 37

नहिं मोहिं ज्ञान बुद्धि है तन में। सब जानत हो अपने मन में॥

Roman Hindi

Nahin Mohin Gyan Buddhi Hai Tan Mein Sab Janat Ho Apne Man MeinNahin Mohin Gyan Buddhi Hai Tan Mein Sab Janat Ho Apne Man Mein

Meaning

The singer admits limited knowledge, trusting the Goddess to understand his heart.

Explanation

The verse models intellectual humility rather than anti-intellectualism.

रूप चतुर्भुज करके धारण। कष्ट मोर अब करहु निवारण॥

Roman Hindi

Roop Chaturbhuj Karke Dharan Kasht Mor Ab Karahu NivaranRoop Chaturbhuj Karke Dharan Kasht Mor Ab Karahu Nivaran

Meaning

The four-armed form of Lakshmi is invoked to remove distress.

Explanation

The four arms belong to a common visual type, but historical art shows many local iconographic variations.

Chaupai 39

केहि प्रकार मैं करौं बड़ाई। ज्ञान बुद्धि मोहि नहिं अधिकाई॥

Roman Hindi

Kehi Prakar Main Karau Badai Gyan Buddhi Mohi Nahin AdhikaiKehi Prakar Main Karau Badai Gyan Buddhi Mohi Nahin Adhikai

Meaning

The devotee again confesses inability to praise the Goddess adequately.

Explanation

Returning to humility prepares the named devotional signature in the following unit.

Chaupai 40

रामदास अब कहै पुकारी। करो दूर तुम विपति हमारी॥

Roman Hindi

Ramdas Ab Kahai Pukari Karo Door Tum Vipati HamariRamdas Ab Kahai Pukari Karo Door Tum Vipati Hamari

Meaning

A voice calling itself Ramdas begs the Mother to remove adversity.

Explanation

The signature does not identify a historically documented author or establish a composition date by itself.

त्राहि त्राहि दुख हारिणी, हरो बेगि सब त्रास। जयति जयति जय लक्ष्मी, करो शत्रु को नाश॥

Roman Hindi

Trahi Trahi Dukh Harini, Haro Begi Sab Traas Jayati Jayati Jai Lakshmi, Karo Shatru Ko NaashTrahi Trahi Dukh Harini, Haro Begi Sab Traas Jayati Jayati Jai Lakshmi, Karo Shatru Ko Naash

Meaning

The singer cries for protection and victory over suffering and enemies.

Explanation

'Enemies' may be read as outward adversaries or inner anger and greed; the hymn need not license harm.

रामदास धरि ध्यान नित, विनय करत कर जोर। मातु लक्ष्मी दास पर, करहु दया की कोर॥

Roman Hindi

Ramdas Dhari Dhyan Nit, Vinay Karat Kar Jor Matu Lakshmi Das Par, Karahu Daya Ki KorRamdas Dhari Dhyan Nit, Vinay Karat Kar Jor Matu Lakshmi Das Par, Karahu Daya Ki Kor

Meaning

Ramdas closes with folded hands, praying for one compassionate glance.

Explanation

The poem ends in humility, not a guaranteed transaction; the identity behind the signature remains unknown.

Context & Usage

Edition notice: A complete selected 44-unit digital witness (one opening doha, one soratha, 40 chaupais and two closing dohas) follows. English-page original is Roman Hindi/Awadhi words, not an English translation. Source Nitya 1, 2; independent historical and rights approval pending.

Opening Doha {#opening-doha}

Opening Soratha {#opening-soratha}

Closing Doha 1 {#closing-doha-1}

Closing Doha 2 {#closing-doha-2}

What is the Lakshmi Chalisa? The Lakshmi Chalisa is a North Indian vernacular devotional poem addressed to Lakshmi, revered for prosperity, abundance, auspiciousness and compassion. The version printed above opens with a doha, continues with a soratha and forty numbered chaupais, and concludes with two dohas. That arrangement belongs to this selected witness, not automatically to every manuscript, booklet or oral performance 1, 3. Its Hindi/Awadhi-influenced language speaks directly to the Goddess as a caring Mother. It shifts from praise to epic narrative, then to moral service, requests for help, and finally personal surrender. The complete original appears before these explanations so that a reader can simply read or recite it without navigating through an essay. The Roman text is not an English rendering: its words are the poem's words represented in Roman letters 2. The meanings and explanations here are newly written for ShivGoraksh, and should not be confused with historical commentary.

Textual structure and the 39-versus-40 question

The selected 44-unit digital text contains one opening doha, one soratha, chaupais numbered 1–40, and two closing dohas. A separate published family includes only 39 numbered chaupais, while another text in Sanskrit Documents has an additional opening invocation and other differences 4, 5. The forty-four reading units are not forty-four chaupais. The title Chalisa names the devotional genre; editors must still say exactly which edition and count they mean. For ShivGoraksh, no 'missing' unit has been manufactured, and no extra stanza is imported from the alternate families. The final chaupai and doha contain Ramdas. This is a poetic signature found within the reading. Without a dated, identified source or secure biographical evidence, it cannot establish which Ramdas wrote it or when. The hymn must not be assigned an invented author biography. Modern web transcriptions can help identify stable readings, but they do not by themselves prove an autograph text or an ancient date.

Lakshmi, abundance, and the ethics of wealth

Lakshmi is often described as the embodiment of shri: flourishing, grace, beauty, good fortune and abundance. She is not merely a device for acquiring money. This text itself asks for knowledge, wisdom, humility and devotion, and tells its audience to abandon deceit (chaupai 18). Its movement from desirable prosperity toward inner honesty is crucial: the wish for enough food, livelihood and stability is recognizably human, yet wealth without care for others would undercut the song's praise of compassion. A seventh-century Lakshmi sculpture catalogued by the Metropolitan Museum illustrates that her visual and theological histories are much broader than one modern household form 7. The title Sindhu-suta or ocean's daughter points to the narrative of the ocean of milk, and her relationship with Vishnu is remembered in the stories of Rama and Sita. The Bhagavata Purana, Book 8, Chapter 8, offers one well-known narrative of the churning and emergence of treasures 6. Other lists of the fourteen treasures differ; the Chalisa is a short devotional retelling rather than an exhaustive concordance or a factual report of ocean history. A British Museum object portrays Lakshmi among the treasures and helps show how artists have interpreted that story differently 9.

Sita, Vishnu, and the language of service

Chaupais 12–15 describe the Goddess accompanying the Lord in his incarnations and appearing in Janakpur. In the poem's Vaishnava devotional frame, Lakshmi is remembered as Sita in relation to Vishnu's Rama incarnation. This is a traditional theological identification. It should neither be confused with historical documentation nor presented as the only Shakta understanding of Lakshmi. 'Serving the Lord' belongs to bhakti's language of affection and surrender, not to a rule that women owe subordination to men. Regional religious images can also depict her alongside Vishnu in forms distinct from contemporary four-armed pictures 8.

How the hymn builds an inner journey

The beginning (opening verses and chaupais 1–9) asks for grace and learning. The next section (10–16) situates the Goddess in mythic and cosmic narrative. Verses 17–20 introduce conduct: united mind, speech and action, without deception. Verses 21–31 speak in the voice of vulnerable people seeking relief and steady worship. The conclusion (32–40 and the final dohas) returns to praise, remorse, longing for darshan and a humble plea. This movement makes the work readable as a poem of dependency, gratitude and personal transformation even for someone encountering the mythology for the first time.

Understanding traditional promises responsibly

The poem uses powerful language about sickness, children, disability, success and wealth, including verses 23–27. These are devotional assertions within the text, not verified guarantees that reading a poem will cure disease, change fertility, erase disability or deliver money. For medical, mental-health, fertility or financial decisions, appropriate professional care and practical action remain important. Verse 24 uses older labels for illness and disability: the text is preserved for historical fidelity, but those labels should not shape how anyone's dignity is judged. Verse 25's description of arranging a Brahmin recitation and verse 26's reference to forty days are preserved as textual facts, not directions or requirements issued by ShivGoraksh. In the closing doha, 'enemies' can be read literally within an older poetic world or figuratively as greed, anger and fear. This guide does not use the verse to justify hostility or violence. A respectful devotional interpretation prioritizes compassion and self-examination.

Key terms

Lakshmi / Shri: Goddess and quality of auspicious flourishing; Sindhu-suta: daughter of the ocean in devotional myth; Kshira-sagara: the milk ocean of the churning story; doha / soratha / chaupai: vernacular verse forms or editorially named reading units; bhakti: devotion and loving engagement; darshan: the sought experience of seeing and being seen by the deity; phalashruti: language in a text describing benefits or fruit associated with recitation; Ramdas: the textual signature found here, not a securely identified historical author.

Frequently asked questions

Is the complete Lakshmi Chalisa printed here? Yes, the complete selected 44-unit Nitya reading is at the top, with all forty numbered chaupais. It is not claimed that every published tradition has exactly this version.

Why do some Lakshmi Chalisa pages have 39 chaupais? They follow a different reading family or editorial division. this edition documents, rather than silently resolves, the difference 5.

Is the English-page text an English translation? No. It is the original Hindi/Awadhi-influenced wording transliterated into approachable Roman Hindi. Separate English meanings follow the full composition.

Did Ramdas write Lakshmi Chalisa? The selected text includes 'Ramdas' as a poetic signature, but the underlying historical author's identity and date are unverified.

Is Lakshmi only the Goddess of money? No. This Chalisa also invokes wisdom, discernment, humility, protection, compassionate help and devotion.

Does reading the Chalisa guarantee wealth, health or children? No. The hymn expresses traditional hopes and promises, not experimentally established results or a substitute for professional care.

What is the meaning of Sindhu-suta? It is 'daughter of the ocean', connected to Lakshmi's emergence in the milk-ocean churning narratives.

Is a priest or a fixed forty-day practice necessary for everyone? The selected verse describes such a custom, but this educational guide does not prescribe it. Traditions and personal contexts vary.

Can this text be reused on a public website immediately? Not from this draft alone. Independent checks of author/edition rights, transcript provenance, editorial accuracy and actual application image assets are pending.

Sources, Credits & Licensing

Founder-authorized educational edition. Independent textual and specialist review remains incomplete; this reading does not confer initiation or ritual authorization.

Text-only source: Nitya (getnitya.com), permitted for any purpose. Romanization, meanings and explanations newly prepared by ShivGoraksh.

Original Roman reading

The Roman reading recorded with this edition, retaining its spelling and word forms before the Easy Roman display conversion.

  1. Opening Doha

    Matu Lakshmi Kari Kripa, Karo Hriday Mein Vaas Manokamna Siddh Kari, Puravahu Meri Aas

  2. Opening Soratha

    Yahi Mor Ardas, Haath Jod Vinti Karun Sab Vidhi Karau Suvas, Jai Janani Jagdambika

  3. Chaupai 1

    Sindhu Suta Main Sumirau Tohi Gyan Buddhi Vidya Do Mohi

  4. Chaupai 2

    Tum Saman Nahin Koi Upkari Sab Vidhi Puravahu Aas Hamari

  5. Chaupai 3

    Jai Jai Jagat Janani Jagdamba Sabki Tum Hi Ho Avalamba

  6. Chaupai 4

    Tum Hi Ho Sab Ghat Ghat Vasi Vinti Yahi Hamari Khasi

  7. Chaupai 5

    Jag Janani Jai Sindhu Kumari Deenan Ki Tum Ho Hitkari

  8. Chaupai 6

    Vinvau Nitya Tumahin Maharani Kripa Karau Jag Janani Bhavani

  9. Chaupai 7

    Kehi Vidhi Stuti Karau Tihari Sudhi Lijai Apradh Bisari

  10. Chaupai 8

    Kripa Drishti Chitavo Mam Ori Jag Janani Vinti Sun Mori

  11. Chaupai 9

    Gyan Buddhi Jai Sukh Ki Data Sankat Haro Hamari Mata

  12. Chaupai 10

    Ksheer Sindhu Jab Vishnu Mathayo Chaudah Ratna Sindhu Mein Payo

  13. Chaupai 11

    Chaudah Ratna Mein Tum Sukhrasi Seva Kiyo Prabhu Bani Dasi

  14. Chaupai 12

    Jab Jab Janam Jahan Prabhu Linha Roop Badal Tahan Seva Kinha

  15. Chaupai 13

    Swayam Vishnu Jab Nar Tanu Dhara Linheu Avadhpuri Avatara

  16. Chaupai 14

    Tab Tum Pragat Janakpur Mahin Seva Kiyo Hriday Pulkahin

  17. Chaupai 15

    Apnayo Tohi Antaryami Vishva Vidit Tribhuvan Ki Swami

  18. Chaupai 16

    Tum Sam Prabal Shakti Nahin Aani Kahan Lau Mahima Kahau Bakhani

  19. Chaupai 17

    Man Kram Vachan Karai Sevkai Man Ichchhit Vanchhit Phal Pai

  20. Chaupai 18

    Taji Chhal Kapat Aur Chaturai Poojahin Vividh Bhanti Man Lai

  21. Chaupai 19

    Aur Haal Main Kahau Bujhai Jo Yah Path Karai Man Lai

  22. Chaupai 20

    Tako Koi Kasht Na Hoi Man Ichchhit Pavai Phal Soi

  23. Chaupai 21

    Trahi Trahi Jai Dukh Nivarini Trividh Taap Bhav Bandhan Harini

  24. Chaupai 22

    Jo Chalisa Padhai Padhavai Dhyan Lagakar Sunai Sunavai

  25. Chaupai 23

    Takau Koi Na Rog Satavai Putra Aadi Dhan Sampatti Pavai

  26. Chaupai 24

    Putraheen Aru Sampati Heena Andh Badhir Kodhi Ati Deena

  27. Chaupai 25

    Vipra Bolay Kai Path Karavai Shanka Dil Mein Kabhi Na Lavai

  28. Chaupai 26

    Path Karavai Din Chalisa Ta Par Kripa Karain Gaurisa

  29. Chaupai 27

    Sukh Sampatti Bahut Si Pavai Kami Nahin Kahu Ki Aavai

  30. Chaupai 28

    Barah Maas Karai Jo Pooja Tehi Sam Dhanya Aur Nahin Dooja

  31. Chaupai 29

    Pratidin Path Karai Man Mahin Un Sam Koi Jag Mein Kahun Nahin

  32. Chaupai 30

    Bahuvidhi Kya Main Karau Badai Ley Pariksha Dhyan Lagai

  33. Chaupai 31

    Kari Vishvas Karai Vrat Nema Hoy Siddh Upjai Ur Prema

  34. Chaupai 32

    Jai Jai Jai Lakshmi Bhavani Sab Mein Vyapit Ho Gun Khani

  35. Chaupai 33

    Tumhro Tej Prabal Jag Mahin Tum Sam Kou Dayalu Kahun Nahin

  36. Chaupai 34

    Mohi Anath Ki Sudhi Ab Lijai Sankat Kaati Bhakti Mohi Dijai

  37. Chaupai 35

    Bhool Chook Kari Kshama Hamari Darshan Dijai Dasha Nihari

  38. Chaupai 36

    Bin Darshan Vyakul Adhikari Tumahi Achhat Dukh Sahte Bhari

  39. Chaupai 37

    Nahin Mohin Gyan Buddhi Hai Tan Mein Sab Janat Ho Apne Man Mein

  40. Chaupai 38

    Roop Chaturbhuj Karke Dharan Kasht Mor Ab Karahu Nivaran

  41. Chaupai 39

    Kehi Prakar Main Karau Badai Gyan Buddhi Mohi Nahin Adhikai

  42. Chaupai 40

    Ramdas Ab Kahai Pukari Karo Door Tum Vipati Hamari

  43. Closing Doha 1

    Trahi Trahi Dukh Harini, Haro Begi Sab Traas Jayati Jayati Jai Lakshmi, Karo Shatru Ko Naash

  44. Closing Doha 2

    Ramdas Dhari Dhyan Nit, Vinay Karat Kar Jor Matu Lakshmi Das Par, Karahu Daya Ki Kor

Source status, variants and reuse

Selected source: Nitya's Devanagari bare-text dataset 1, aligned by key to its easy Roman dataset 2. Nitya states that traditional source texts are public domain and distinguishes those bare text files from its own protected interpretations 3. This record is useful but is not conclusive evidence of historical authorship, the poem's age, or legal clearance in every jurisdiction. None of Nitya's meanings or explanations were reused in this edition. Sanskrit Documents is comparison only and explicitly restricts reposting its volunteer transcription 4. The 39-chaupai family documented by Valkala is also only a comparison witness 5. Independent historical-edition collation, specialist interpretation, native-language proofreading and rights checks remain outstanding. The educational edition is not a public release. Readers should be shown a notice identifying the selected witness rather than an unsupported claim of a universal or exclusively canonical version.

Further reading and provenance

  • 1 Selected original Devanagari data: https://getnitya.com/data/lakshmi/lakshmi-chalisa/dev.json
  • 2 Selected matching Roman words: https://getnitya.com/data/lakshmi/lakshmi-chalisa/roman.json
  • 3 Nitya's public-data licensing explanation: https://getnitya.com/en/about/data/
  • 4 Sanskrit Documents, comparison only: https://sanskritdocuments.org/doc_z_otherlang_hindi/laxmi40.html
  • 5 Separate 39-chaupai family: https://valkala.com/lakshmi-chalisa
  • 6 Bhagavata Purana 8.8 context: https://webmail.bhagavata.org/canto8/chapter8.html
  • 7, 8, 9 Museum object records listed with full locators in the source list.
Additional passage commentary

Chaupai 1 {#chaupai-01}

Meaning: The devotee remembers the ocean-born Goddess and asks for knowledge, intelligence and learning. Explanation: The request puts understanding beside wealth and resists a purely monetary reading of Lakshmi. Stable verse ID: related reading · 1

Chaupai 2 {#chaupai-02}

Meaning: None is considered so generous as the Mother; the devotee asks her to fulfil worthy hopes. Explanation: The praise voices a devotee’s gratitude; it should not be turned into a guarantee of financial results. Stable verse ID: related reading · 1

Chaupai 3 {#chaupai-03}

Meaning: Victory to the Mother of the world, on whom beings seek support. Explanation: Jagadamba places Lakshmi within a broad Goddess vocabulary; theological identifications vary across traditions. Stable verse ID: related reading · 1

Chaupai 4 {#chaupai-04}

Meaning: She is revered as present within every being, and the singer offers a heartfelt petition. Explanation: Ghat-ghat evokes inward presence; it does not require a literal spatial description of divinity. Stable verse ID: related reading · 1

Chaupai 5 {#chaupai-05}

Meaning: The daughter of the ocean is praised as the well-wisher of distressed people. Explanation: Compassion toward those in need gives the hymn an ethical dimension beyond abundance. Stable verse ID: related reading · 1

Chaupai 6 {#chaupai-06}

Meaning: The devotee prays every day to the queenly world-Mother for grace. Explanation: 'Bhavani' is an affectionate Goddess title here; its exact sectarian implications should not be imposed on every reader. Stable verse ID: related reading · 1

Chaupai 7 {#chaupai-07}

Meaning: Unable to praise her adequately, the speaker asks forgiveness for faults and remembrance. Explanation: Admitting limitations counters the assumption that perfect pronunciation is the only basis for sincere devotion. Stable verse ID: related reading · 1

Chaupai 8 {#chaupai-08}

Meaning: The singer asks the Mother to look compassionately and listen to the plea. Explanation: The language of a caring gaze is a familiar image of devotional closeness. Stable verse ID: related reading · 1

Chaupai 9 {#chaupai-09}

Meaning: Lakshmi is invoked as giver of knowledge, wisdom and happiness, and remover of distress. Explanation: The unusual phrase 'ज्ञान बुद्धि जय सुख' remains as in this witness, rather than being silently rewritten. Stable verse ID: related reading · 1

Chaupai 10 {#chaupai-10}

Meaning: The hymn recalls the churning of the milk ocean and its traditional fourteen treasures. Explanation: The counting and order of treasures vary in narrative sources; it is a mythological setting, not a historical chronicle. Stable verse ID: related reading · 1

Chaupai 11 {#chaupai-11}

Meaning: Lakshmi appears among the ocean’s treasures as a source of joy and devoted service. Explanation: The word 'dasi' belongs to the poem’s bhakti idiom of humble service, not a statement that women must be subordinate. Stable verse ID: related reading · 1

Chaupai 12 {#chaupai-12}

Meaning: As the Lord takes different births, the Goddess also assumes corresponding forms and serves him. Explanation: This describes a Vaishnava devotional relationship; not every Shakta theology frames the divine couple identically. Stable verse ID: related reading · 1

Chaupai 13 {#chaupai-13}

Meaning: The poem remembers Vishnu taking a human birth in Ayodhya. Explanation: The implied avatara is Rama, understood within the Rama-Vishnu connection of the tradition. Stable verse ID: related reading · 1

Chaupai 14 {#chaupai-14}

Meaning: Lakshmi is remembered as appearing in Janakpur and serving with a joyful heart. Explanation: The identification of Sita with Lakshmi is traditional theology, not a claim about a verifiable historical birth. Stable verse ID: related reading · 1

Chaupai 15 {#chaupai-15}

Meaning: The all-knowing Lord accepts her; she is celebrated as mistress of the three worlds. Explanation: The grand cosmological title is devotional praise, emphasizing the Goddess’s dignity. Stable verse ID: related reading · 1

Chaupai 16 {#chaupai-16}

Meaning: No other power is like hers; the poet cannot fully describe her greatness. Explanation: Admitting the limits of speech is a familiar theme in praise poetry. Stable verse ID: related reading · 1

Chaupai 17 {#chaupai-17}

Meaning: Those who serve with mind, action and speech hope for cherished fulfilment. Explanation: The triad points to coherence between intention, conduct and expression, not a transactional bargain. Stable verse ID: related reading · 1

Chaupai 18 {#chaupai-18}

Meaning: Worship is praised when performed wholeheartedly and without deceit. Explanation: Ethical honesty, not ritual display, becomes the controlling idea of the stanza. Stable verse ID: related reading · 1

Chaupai 19 {#chaupai-19}

Meaning: The poet introduces an assurance about people who recite attentively. Explanation: This line leads syntactically into the next couplet; reading the pair together avoids a false standalone claim. Stable verse ID: related reading · 1

Chaupai 20 {#chaupai-20}

Meaning: The poem assures attentive devotees that troubles recede and hopes are fulfilled. Explanation: This is a traditional phalashruti-style promise, not evidence of certain life outcomes. Stable verse ID: related reading · 1

Chaupai 21 {#chaupai-21}

Meaning: The devotee cries for rescue from suffering, the three afflictions and worldly bondage. Explanation: The three afflictions are interpreted differently in Hindu schools; this hymn does not specify one exclusive system. Stable verse ID: related reading · 1

Chaupai 22 {#chaupai-22}

Meaning: People who read, recite, listen and share the hymn with attention are praised. Explanation: Recitation appears as accessible collective devotion; it should not become compulsory practice advice. Stable verse ID: related reading · 1

Chaupai 23 {#chaupai-23}

Meaning: The hymn promises freedom from illness and gifts of offspring and prosperity. Explanation: These statements must not be presented as medical, fertility or financial guarantees; seek qualified help where needed. Stable verse ID: related reading · 1

Chaupai 24 {#chaupai-24}

Meaning: The poem names childlessness, poverty, blindness, deafness and leprosy among hardships. Explanation: This inherited language may be stigmatizing; people with disabilities or illnesses do not have diminished worth. Stable verse ID: related reading · 1

Chaupai 25 {#chaupai-25}

Meaning: The text describes inviting a learned Brahmin to perform recitation without doubt. Explanation: This is the witness’s traditional ritual voice, not a requirement imposed by this educational guide. Stable verse ID: related reading · 1

Chaupai 26 {#chaupai-26}

Meaning: It describes forty days of recitation and invokes grace from Gaurisha, Lord of Gauri. Explanation: The Shiva epithet 'Gaurisha' is preserved; the work is not thereby transformed into a Shiva-specific ritual manual. Stable verse ID: related reading · 1

Chaupai 27 {#chaupai-27}

Meaning: The devotee expects plentiful happiness and resources with no lack. Explanation: Read the wish alongside the earlier emphasis on honesty and compassion. Stable verse ID: related reading · 1

Chaupai 28 {#chaupai-28}

Meaning: Regular worship through all twelve months is praised as blessed. Explanation: Year-round remembrance is a devotional ideal; the stanza does not prove that one schedule suits everyone. Stable verse ID: related reading · 1

Chaupai 29 {#chaupai-29}

Meaning: The devoted daily reader is praised as exceptionally fortunate. Explanation: Praise of perseverance is rhetorical; comparing people’s piety by a fixed count would miss the point. Stable verse ID: related reading · 1

Chaupai 30 {#chaupai-30}

Meaning: The singer says praise is insufficient and invites attentive personal reflection. Explanation: The ambiguous 'लेय परीक्षा' is not treated as a reproducible test for supernatural results. Stable verse ID: related reading · 1

Chaupai 31 {#chaupai-31}

Meaning: Faithful observance is said to lead to fulfilment and love in the heart. Explanation: The inner transformation—love—offers a less material reading of accomplishment. Stable verse ID: related reading · 1

Chaupai 32 {#chaupai-32}

Meaning: Victory to Lakshmi Bhavani, the treasury of virtues present throughout existence. Explanation: 'Bhavani' reflects expansive Goddess identification in the hymn, not a universal doctrinal equation. Stable verse ID: related reading · 1

Chaupai 33 {#chaupai-33}

Meaning: The Goddess is praised for radiant power and unmatched compassion. Explanation: Power and gentleness appear together; the text does not reduce Lakshmi to wealth alone. Stable verse ID: related reading · 1

Chaupai 34 {#chaupai-34}

Meaning: The abandoned devotee asks for support, relief and, importantly, the gift of devotion. Explanation: Asking for bhakti alongside relief suggests that spiritual relationship is a goal in itself. Stable verse ID: related reading · 1

Chaupai 35 {#chaupai-35}

Meaning: The speaker asks forgiveness for mistakes and longs for a compassionate vision. Explanation: Darshan here expresses intimate encounter through devotional language; it should not be promised as an objectively verifiable event. Stable verse ID: related reading · 1

Chaupai 36 {#chaupai-36}

Meaning: Without the Goddess’s vision, the seeker feels restless despite her presence. Explanation: The tension between believed divine nearness and felt separation is a recurrent bhakti theme. Stable verse ID: related reading · 1

Chaupai 37 {#chaupai-37}

Meaning: The singer admits limited knowledge, trusting the Goddess to understand his heart. Explanation: The verse models intellectual humility rather than anti-intellectualism. Stable verse ID: related reading · 1

Chaupai 38 {#chaupai-38}

Meaning: The four-armed form of Lakshmi is invoked to remove distress. Explanation: The four arms belong to a common visual type, but historical art shows many local iconographic variations. Stable verse ID: related reading · 1

Chaupai 39 {#chaupai-39}

Meaning: The devotee again confesses inability to praise the Goddess adequately. Explanation: Returning to humility prepares the named devotional signature in the following unit. Stable verse ID: related reading · 1

Chaupai 40 {#chaupai-40}

Meaning: A voice calling itself Ramdas begs the Mother to remove adversity. Explanation: The signature does not identify a historically documented author or establish a composition date by itself. Stable verse ID: related reading · 1

  1. Lakshmi Chalisa — Nitya Devanagari open-data witness · Open source
  2. Lakshmi Chalisa — Nitya Roman (easy) parallel open-data witness · Open source
  3. Nitya Open Data: Licensing and reuse statement · Open source
  4. Shri Laxmi Chalisa (laxmi40.itx) · Open source
  5. Shri Lakshmi Chalisa: 39-chaupai edition and variant audit · Open source
  6. Bhagavata Purana, Skandha 8, Chapter 8 (ocean churning and Lakshmi) · Open source
  7. Lakshmi, Goddess of Prosperity — 7th century brass · Open source
  8. Vishnu Accompanied by Lakshmi and Sarasvati, Pala period · Open source
  9. Ocean churning depiction with Lakshmi — collection object · Open source